AUTHOR SPOTLIGHT on Chinua Achebe

AUTHOR SPOTLIGHT on Chinua Achebe

Author Spotlight On Chinua Achebe

Arguably the greatest novelist to ever come from the black continent, Chinualumogu “Chinua” Achebe is a towering figure who needs no introduction whatsoever. With the African Trilogy and his Man Booker International Prize win, Achebe has cemented his name in the soil of time. It’s no surprise that the maiden edition of our “Author Spotlight” starts with the unraveling of an African literary sage of his ilk. However, with all his numerous accomplishments, it is easy to overlook certain significant events which occurred within his lifetime.

Humble Beginning
In 1948, having scored highly in the entrance examinations to the University of Ibadan, Achebe earned a scholarship to study medicine. It was not until he fell deeper in love with literary writings that he later switched to the department of English. This, of course, meant that he would have to forfeit his scholarship and pay his tuition from his own pocket. Bagging a second-class degree, Achebe was so disturbed by missing out on a first-class result that he relocated to his hometown to regroup.

Chinua Achebe

Photo accessed via WW Norton

Magnum Opus Dei – Things Fall Apart

Achebe’s first novel, Things Fall Apart, which was published two years before he turned 30 provided the blueprint for African literature. The novel paints the influence of colonialism in Nigeria in a picturesque style garnished with a stint of the Igbo culture. It excavated the realities behind the scene but the truth about the conflict between the Igbo tradition and the Christian doctrines. It is often considered as his best work and most widely read book in modern African literature. The language, the style and the uniqueness of the book made it a household name in many African homes. The universality and relevance of the book are second to none in African literature; it presents echoes from our past, shows us the details of the present anomalies on the canvas and shares in lucid ways what the future holds.

Despite being the book which began a cultural renaissance of enhancing the visibility of Africans in global literature, “Things Fall Apart” was upon publication generally ridiculed in West Africa. The book has sold over 20 million copies around the world and translated into 57 languages making Achebe the most translated African writer of all time.

Contemporaries

Achebe was a writer of global relevance despite having his roots in the African heritage, his wide span of contemporaries contains literary titans from different corners of the world. The list is not limited to these outstanding writers and poets: Margaret Atwood, Wole Soyinka, Kofi Awoonor, Christopher Okigbo, Ngugi wa Thiong’o, Nadine Gordimer, J.P. Clark, Ferdynand Oyono, Toni Morrison, Maya Angelou, Robert Gibson and Okot p’Bitek. His vast influence earned him the worldwide respect of fellow writers at the peak of his career and even after that.

Awards

A global celebrity, Achebe, received over 30 honorary degrees from universities in England, Scotland, South Africa, United States and others.

Achebe twice refused the honor of the Commander of the Federal Republic of Nigeria, citing the chaotic socio-political atmosphere in the country, particularly his home-state as the reason.

Chinua Achebe

Photograph accessed via New York Times

The book, Things Fall Apart, has sold over 20 million copies around the world and translated into 57 languages making Achebe the most translated African writer of all time.

Controversies

Despite his achievements, Achebe never won the Nobel Prize – a phenomenon which has widely been condemned. He has himself been ambivalent in his own feelings about this.

Following a lecture at Amherst in February 1975, during which he accused Joseph Conrad’s much-beloved book “Heart of Darkness” as promoting racist narratives of Africa, Achebe became the object of academic outrage, particularly from the white academia. In fact, immediately after his speech, it has been reported that a professor walked right up to him, screaming: How dare you! Achebe would later stand by his criticism till his death.

Death

At age 60, Chinua Achebe was involved in a ghastly motor accident which left him partially disabled for the rest of his life. The literary icon passed on during his time in the United States on March 21, 2013, at the age of 82.

Chinua Achebe and Wole Soyinka

Photograph accessed via Opinion Nigeria

Literary Works

Before we conclude the discourse about the father of African literature, let’s have a look at some of his works.

Novels

  • Things Fall Apart (1958)
  • No Longer at Ease (1960)
  • Arrow of God (1964)
  • A Man of the People (1966)
  • Anthills of the Savannah (1987)

Short Stories

  • Marriage is a Private Affair (1952)
  • Dead Men’s Path (1953)
  • The Sacrificial Egg and Other Stories (1953)
  • The Voter (1965)
  • Civil Peace (1971)
  • Girls at War and Other Stories (including “Vengeful Creditor”) (1973)
  • African Short Stories (1985)
  • The Heinemann Book of Contemporary African Short Stories (1992)

Poetry

  • Beware, Soul-Brother, and Other Poems (1971)
  • Don’t Let Him Die: An Anthology of Memorial Poems for Christopher Okigbo (1978)
  • Another Africa (1998)
  • Collected Poems (2005)
  • Refugee Mother and Child
  • Vultures

Essays, criticism, nonfiction and political commentary

  • The Novelist as Teacher (1965)
  • An Image of Africa: Racism in Conrad’s “Heart of Darkness” (1975)
  • Morning Yet on Creation Day (1975)
  • The Trouble With Nigeria (1984)
  • Hopes and Impediments (1988)
  • Home and Exile (2000)
  • The Education of a British-Protected Child (2009)
  • There Was A Country: A Personal History of Biafra (2012)

Children’s Books

  • Chike and the River (1966)
  • How the Leopard Got His Claws (1972)
  • The Flute (1975)
  • The Drum (1978)

If you are anything like us, then you must have read his complete works twice. Alright, thrice. Fine, maybe more than four times. Who does not love Achebe? His fine writing and extraordinary use of oral tradition in passing across his message made him an unforgettable sage in the parlance of African writing.

This is a successful attempt to avoid writing an epistle about Achebe but to share a summary of his life and what his works mean to us.

 

What inspires you about Achebe? You can share with us in the comment section below.

ABOUT THE AUTHOR

Kanyinsola Olorunnisola

Kanyinsola Olorunnisola

Managing Editor

 

Kanyinsola Olorunnisola is a poet, essayist and writer of fiction. He is the Managing Editor of Kreative Diadem. He writes from Ibadan, Nigeria. His writings border on the themes of unease, racism, colonialism, terror and all things familiar to the black folk. He describes his art as that specialized literary alchemy which aims to extract beauty from the frail commonplaceness of words.
His experimental works have appeared or are forthcoming on such platforms as Brittle Paper, Kalahari Review, Bombay Review, Lunaris Review, African Writer, Sprinng.org, Authorpedia, Kreative Diadem, Parousia Magazine and Sampad International Journal. He was the 2016 recipient of the Albert Jungers Poetry Prize.

 

 

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DISTANT MESSAGES

DISTANT MESSAGES

DISTANT MESSAGES

dear ears of distant places, far-nigh
above and below countless coined mountains
of distinct voices which shoots beneath deserts
of distinct colours which defies our journey
like journals hanging freely on branches of trees
beside roads and along highways,
beats are indifferent aphid tunes and drums of no semblances…

in 1844; in silent minuted surprise course of the clock,
minutes stood; time seen massaging airs
well-signed and a sign hanged on ballonet shoulders
of bamboo flutes that dimmed after gravels-pour.

Distant messages from Africa!  Source: www.attatravel.com

Distant messages from Africa!
Source: www.attatravel.com

in 1948; in between fingerprints and toe-marks on sands of islands
potatoes and cocoyam  bulletins drummed
before an armored castle gate and governor’s anchor,
sweat evaporated and tears rained in torrential
of feet wanting to hide under palm shades
from the raining wistful melodies of death.

in 1957; in the jaws of a month renovating itself
a dream was born on sheets of dust and shredded papers
a bond was signed of freedom
a mark of indelible solvent rained on huts-of-mankind
as one eye took hold of multiple.

in 1960; when days no longer appreciated indexes of leaves
and weeds flourished before germination could expire;
history recycled aback in fro of puzzled pulses
a nation was reclaimed and dreams set on fire-woods of kerosene…

when Awoonor had sang of sand beneath and nigh;
and Okigbo had preached of mother Idoto and fireflies,
of how warm worms gladly seeded echoes of blak-stars
but like Soyinka and Achebe; this journey has hatched tobacco soils
where castles and fortresses are assumed communions for the peoples’ glory…

 

ABOUT THE AUTHOR

Nana Arhin Tsiwah is a disciple of Pan-African Consciousness and a student of Akanism. Tsiwah, a linguist- performist of Mfante-Akan Ancestry writes from Cape Coast, Ghana.

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