AYOMIDE by Nneoma Mbalewe

AYOMIDE by Nneoma Mbalewe

AYOMIDE

by Nneoma Mbalewe

Ayomide – Winner of the 2019 Kreative Diadem Annual Creative Writing Contest (Flash Fiction Category)

My body craves water but I have none to give it. I have never stayed this long without water. It’s been forty-five hours or so and I really feel rotten. The human body can live for a month without food but three to four days without water can lead to death. We only have a few more hours. If not, we’d most likely die.
My sister has a higher probability of dying than me. I’m not a pessimist but I have been lying in her blood now for hours and she won’t make it if help does not get here today. The lower half of her body is trapped under rubble and she’s showing signs of shock. Her skin is cold and clammy; her breathing is shallow and rapid.

Masha’s whining pulls me out of my thoughts. I rub my dog’s fur, trying to comfort him. It’s dusty under the bed where we are and I know he really wants to leave. He would have done so hours ago but the truth is that we are trapped here. Not unless someone rescues us.

I remember exactly forty-six hours ago. It was dusk and my sister was preparing Eba and Efo. The healthy meatless, fishless Efo, as she liked to call it. Honestly, we were too poor to put meat in the food. The rain started suddenly and poured without mercy. We were about to eat when we heard something huge and loud fell on the apartment roof, the face-me-I-face-you apartment where we lived. That when everything came crumbling down.

The building was already falling apart but whatever that fell hastened things up and in seconds, the ceiling and the walls began to collapse. We were far from the door so the best thing to do was to hide under something sturdy like they do during earthquakes.

“Under the bed,” I screamed to Aramide, my sister as I grabbed Masha. I crawled under the bed, my sister following close behind. She was halfway in when the ceiling crushed her.

Now, my sister is struggling to stay awake. Thank God she knows that there is no guarantee that when she closes her eyes, she will wake up again. I don’t have to tell her that.

“It was the transformer,” I say. “It’s the only thing high and strong enough to bring down this building.”

“Ayo,” she murmurs. “The periodic table.” She ignores my statement. There’s no use thinking about the past. The future is the most important thing now. Sadly, the past is all I can think of.

I’m smart. I know I am. I’m seven years old and I can recite the multiplication table from one to fifty-seven by heart. I know all the 118 elements of the periodic table and I know a lot more than my fifteen-year-old sister. I help her with her assignments when she can’t solve them and I topped my class last year at grammar school. My headteacher calls me a prodigy even though in Nigeria, no one knows what to do with prodigies.

“Hydrogen, helium, lithium,” I begin. It’s dark but I’m looking at my sister, hoping that when I’m done, she will still be awake. When I’m done, thankfully, she still is. I need to get her talking. That will ensure she stays awake. Although, I think talking will drain the little energy she has left.

“Do you think Daddy knows what has happened?” Even as I ask, I know he doesn’t. He stays away from the house days on end, drinking around with friends. He’d only come back, sometimes, to eat Aramide’s food when he didn’t have enough money to buy food outside.

Aramide doesn’t reply. Her shallow breathing informs me she is still alive. “Don’t sleep, Aramide,” I tell her.

“I’m tired,” she tells me.

“Don’t sleep,” I repeat. I begin my fifty-eight times table. I am almost finished when Aramide murmurs, “You should be a doctor.”

“Why?”

“Doctors are smart. Like you.”

I shake my head, even though she can’t see me. “Doctors are underpaid.” I think back to the doctors who treated mama at the general hospital, who worked grudgingly and couldn’t save mama from her sickness. They never even knew what caused her death, they just left us with debt and my mother’s corpse after injecting all kinds of drugs into her body.

“What do you want to be then?”

“I don’t know. I have to think about it.”

In any other situation, Aramide would have scoffed and said something like, “You have to think about it? You know the answer already.” Now, she doesn’t even make a sound.

My eyes tear up. It is times like this, I wish we were living in a good country like the United States. If something like this happened over there, they would be busy in less than an hour and we would have even forgotten about it by now. However, we are in Nigeria where an entire building of fifty-two apartments collapses and two days later, no one is doing anything about it.

I wonder if other people were still alive. The first thing anyone would have done when the building began to collapse was to run outside. Those on the third and second floors would have never made it down in time. Those on the first and ground floor would have survived if they had gotten as far away as possible from the building when they made it outside.

We live on the second floor. I know people are trapped underneath the rubble like we are and I know that some people are dead. I know my sister will soon join them if we aren’t rescued today. I know I will be next, if another twenty-four hours passes by and I’m still here.

“It’s been forty-six hours,” I say.

“How do you know,” Aramide asks, like she does when I say something smart.

“I just know,” is my reply. The truth is, I have been keeping track.

“Are you hungry?”

I smile ruefully. She’s doing her big sister business even though she’s the one bleeding to death.

“No,” I answer. I know hunger- we both do. Since both parents are out of the picture, Aramide has been the breadwinner. She doesn’t tell me much but I know she gets money from her boyfriends, one of whom, lives in the building, two floors down. She also hawks after school. I don’t do much apart from helping her with her assignments and reading the library books. I help her when I can with the hawking but she never allows me to stress myself. “You will make us rich,” she usually tells me.

“I will be helping you after school to hawk,” I announce. That is, if we both get out of here.

She doesn’t answer. I have to listen closely to hear her breaths because I am fainter than ever. When she first got trapped, she would scream in pain for hours. The screams turned to groans after hours passed and now, I don’t think she can even feel her legs.

Masha whines again. He doesn’t know hunger like us because he is always eating any leftover he finds around the building. He can barely move at this point.

“I love you,” Aramide tells me, out of the blue.

Fear grips my throat. It takes me a while but I say the words back.

“I want to sleep now.”

 I don’t stop her.

I close my eyes and imagine us in a better place. A few days ago, Aramide washed clothes, and I read a senior secondary school textbook on physics. Masha ran around us, playing with the little puddles of water that formed around Aramide’s washing buckets. Sighing, she splashed soapy water on him and on a second thought splashed on me too. “Stand up and play with your dog. Can’t you see he’s distracting me?”

“I’m reading,” I told her.

She dragged the textbook from me and sat on it. “Abeg, go and play. You have your whole life to read.”

I open my eyes and I realize that I am crying. Not the small sobs like I usually do but noisy, heart-wrenching sobs. Neither my sister nor my dog move.

I rub Masha’s fur one last time. I remember two months ago when Aramide gave him to me. She had found him, a newborn puppy, abandoned on the side of the road. “I know how much you love dogs,” she said, as she handed him over to me.

I reach for my sister’s cold hands, the dried blood-forming hard flakes. “I want to be an engineer. I like physics and engineers are rich,” I say, in between sobs.

She doesn’t reply. She never does.

FALLING WATERS by Lade Falobi

FALLING WATERS by Lade Falobi

FALLING WATERS

by Lade Falobi

Falling Waters – Second Runner-up of the 2019 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

My mother says when it rains and one needs to pee/one does not need to find a toilet.
I cry in the rain so she doesn’t see.
The rain pouring from my eyes is heavier than the one pouring from the sky.
I hardly ever feel the one from the sky
 
Think of water racing so fast through a hose that it bursts it open all over.
Think of the heavy slaps of water in a waterfall as it hits the floor.
Sometimes my tears are the storm.
I like storms.
 
Now think of water traveling down the window of a moving car, a child enthralled by the movement and tracing dreams in the mist behind the window.
Think of a tap that does not quite shut completely, tiny drops of water falling from its mouth.
Sometimes my tears are the quiet drizzle.
I do not like drizzles.

 

Imagine pointing the barrel of a gun at your head.

Imagine your shaky hands, too scared to die but too scared to live.

Imagine deciding to pull the trigger because it is easier to die than it is to live.

Imagine the dead silence after.

Not the quiet silence of death. The quiet silence of failing even in this.

An empty gun never fires

and you have been shooting blanks.

 

Today                    we live

GRIEF WILL REMAKE YOU by Ernest Ogunyemi

GRIEF WILL REMAKE YOU by Ernest Ogunyemi

GRIEF WILL REMAKE YOU

by Ernest Ogunyemi

Grief Will Remake You – First Runner-up of the 2019 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

“Grief will probably/ redraft your whole/ anatomy”
—Caroline Ebeid

I have just begun my walk out of dawn
& I have begun picking dead leaves.

I have never played so close to fire, but
hear, I know the language of been burnt.

my mother taught me, the taste of a live-coal
on a boy’s tongue, when she walked out of her body,

left it a snail shell. today, I forget the language of joy,
I forget how happiness grows into a sugary bird

filling every puff of cheek, nestling under the pave
of the tongue, hiding in the spaces between the teeth

where god decided to let air in in seeps. it is the doing
of grief. how it will gift you a new tongue, or scrape clean
 
the one you knew; bland every bud that knows
sweetness; fill your mouth with a new song,
 
the way a Mother python fills a room-corner.
tell me, what is grief itself if not the remaking of a life?
 
how motherless boys are pushed into a life we never chose
burning wood & Maami’s cooking & the smell of grief’s spittle
from its latest fresh at your skin fills my nose like air.
rainwater & saltwater & the buttery taste of mucus on my tongue.
the rusty bunk bed, your fragile self pressed into its bosom.
here: the sword-edge sharp coldness of your eyes,
the wilt flowers in your hair, the after-rain quiet of your body.

 

something in my head whispers, this might be a joke.
death does not take people when their bodies begin
to green, when they’re in their most beautiful dresses—
does it?
 
when does it not?
 
I feel the pinky of grief on the nape of my neck, its touch
cold & warm like the welcoming of a new born & the burying
of its mother. the ants on my inside roam about, they pinch,
they want. a dead bird falls from my chest & ends at the floor
of my belly. the ants gather in its belly where some bees have honeyed.
a few minutes later, the ants roam again—just as I now
roam, my legs walking me to places somebody forgot to draw
on the map. the ants on my inside now bite; they bite
everything that has a name till everything that has a name forgets
its name—what is grief if not the unbottling of hunger?—
 
I forget my name, too. & I forget from
where I began walking into this new life.

ABOUT THE AUTHOR

Ernest O. Ògúnyemí (b. 2000) is a writer from Nigeria. Some of his works have appeared/forthcoming in Acumen Poetry Journal, Ricochet Review, Litro Print Journal, Erotic Africa: The Sex Anthology, Lucent Dreaming, Low Light Magazine, Canvas Lit Journal, Agbowó, The Nigerian Poetry Anthology (Animal Heart Press), Polyphony Lit Mag, and elsewhere. A 2019 Adroit Summer Mentee, a 2019 COUNTERCLOCK Arts Collective Fellow, and a reader at Palette Poetry and a staff reader at COUNTERCLOCK Journal, he is curating the first Young African Poets Anthology, guest-edited by Nome Emeka Patrick and Itiola Jones. In 2019, he got a mini-grant to Kickstart a literary outfit dedicated solely to young African creatives. When he is not reading a book of short stories or watching the birds flying in the sky, dreaming, you can find him on Twitter @ErnestOgunyemi.

ODE TO OUR BODY ON FIRE by Anthony Okpunor

ODE TO OUR BODY ON FIRE by Anthony Okpunor

ODE TO OUR BODY ON FIRE

by Anthony Okpunor

Ode to Our Body on Fire – Winner of the 2019 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

Make me a night
I have not died in & let me see the way it burns.
Because this is life I have
envied everything with broken wings.
I’ve once envied my body. I do not remember how I got there.
I wake to rooms with chandeliers
but my God, I was born thirsty.
I am reminded of dust
three days before my body begins to grow.
I have outgrown the brown color of the earth.
These things mean I’m a little smaller,
my tongue blisters & there’s no city with water,
it is my silence you get to know.
Tell me, when you hear my heart beat,
how often do you stop yourself from dancing?
Does my pain still sour you?
What is dinner if we’ve not prayed over the heat?
I am unsure if the sea will hold me to my word,
my blood ties my body to this poem, in the mirror
a smile spreads to my forehead.
The smell of dust is things to come
written allover a body.
We are unlucky if our body does not burn
in the slow song of fireflies.
They will mistake our silence again.
We catch ourselves lusting in the flame.

ABOUT THE AUTHOR

Anthony Okpunor is an emerging Nigerian writer who discovered poetry and writing in general, as a better form of self-expression. He lives and writes from Asaba in Delta State. He is a student of the University of Benin at the time. He splits his time between writing, reading, lectures, good music, and himself. His works have appeared on online platforms including African Writers and Praxis Magazine.

THE HOUSE CALLED JOY by Chizoma Emeka Joshua

THE HOUSE CALLED JOY by Chizoma Emeka Joshua

THE HOUSE CALLED JOY

by Chizoma Emeka Joshua

The house called joy – Winner of the 2018 Kreative Diadem Annual Creative Writing Contest (Flash Fiction Category)

What you have has a name.

You are sure if you entered a bus from your house at Ajah and stopped at the general hospital at Obalenede, if you let the doctors there run their tests and flip through their big books, they’d find a suitable title for what ails you. But you would not. Because you have learnt that when a man gives a disease a name, he breathes life into it and lends it the ability to become a thing that could be like him. Or become him. You are afraid that in your case, this now named thing would cling to you, move into your flat, try on your new shoes, and begin to go with you to the bank where you work as a cashier. It would become as conspicuous as the yellow dress you wear to work on Fridays and everybody would notice and point and laugh.

You are afraid that if you name it, you would acknowledge that maybe you are a broken piece of pottery that needs fixing.
You do not remember when it started. Yours is a relationship whose beginning has no footprints, and you have gotten used to this lack of history like you would an annoying sibling. What you do now is prepare for the red flags, the little incidences that set you off: a woman leaning in towards you over the counter to hand you crisp notes, her hair smelling of talcum powder, a baby turning to flash you a dazzling smile right before you do the sign of the cross in church, a newscaster saying that the price of pampers had risen.

 

At one point you had taken the symptoms to Google. Google was better than doctors. Less intrusive. It did not ask if your family had a history of mental illness or whether you had been under a lot of stress lately (Both useless questions because doctors were always embarrassed to ask the former, and the latter was just plain silly, I mean, what banker is not under a lot of stress daily?)

But Google provided no solution. Perhaps the problem had been with how you typed the question. In the search area you had written:

1: is sadness a person?
2: what condition is it that makes one feel like oceans are threatening to spill through her mouth whenever she is alone? 

For a long time after Google had spewed articles about ocean animals that left you the more confused you had sat staring at your laptop screen, wondering if perhaps Google was not as smart as people gave it credit for.

With time, you teach yourself to manage the storm. At nights when you feel most vulnerable, when the minions carry out their onslaught and there isn’t the armour of work to keep you safe, you whisper affirmations to yourself. You are a Christian so it is easy for you to pick from the armload of cheesy statements that fill the Bible. Your favorite is from Ecclesiastes 9: 4 – a living dog is better than a dead lion. You like how you think yourself as the dog, you don’t know who the dead lion is. You would chant the verse like a prayer, wield it like a sword, till you emerge on the other side, victorious.

Other times what you mutter is the twenty-third psalm. You repeat the words over and over again, hugging your knees, your back against the wall. You repeat it till you actually find yourself beside still waters and smell the freshness of the rivers on your skin.

But there are nights this storm would refuse to be caged. It will hit against your barriers with such intensity that your affirmations would be ill-prepared to stop it. Nights when you lie awake in the spare bedroom because you got into one of your frequent fights with your neighbor who had then hurled her insult of choice: barren woman, and you needed a safe place to hide from your shame. Or the nights when your husband had used his fist to communicate his rage at your childlessness or any other of his many problems that he thinks you are the cause of. Those nights, you do not give affirmations, because words would not do. You rather reach into the recesses of your mind to that sunny place where you store happy memories. You flip through the pages: your graduation from primary school, that time you had an A in government, the time that boy in the choir smiled at you, you skip all these pages and rest on a particular one.

In it you are sixteen: too young to be carrying dead dreams around but not too old to receive seed from a man, nourish it and present him a flower.

You are lying on a hospital bed. You are tired.  There is a hand in yours. Smooth, little hands. Baby hands. They are the reason that even though you feel sharp pains in between your legs from where you had just pushed out another human, you are content, proud of yourself. On your lips is the taste of joy, and it takes like nothing you’ve ever had before. It is foreign in the way a lot of things are foreign to you. You would nibble at it. Careful not to gobble it up, so there’d be some for next time.

It is this joy that you visit. The feeling you felt in that moment. It is a safe harbor where physical pains cannot break through. Where raging storms cannot reach across to place their hands on your heart. Where you feel most worthy of things you do not deserve. In that house called joy, you are everything, and everything is you.

Those nights, you are also careful not to go beyond this point. Because past it, there is another picture of you. In that one, you are two years away from sixteen. Your parents are standing behind you, a scowl on their faces. The camera clicks shut as you are handing your baby to a man who in return hands you an envelope within which you would find, over the course of 8 years, a university degree, a job at a bank and a flat where you lie on cold nights with an aching heart  and a resentful husband to keep you company.

What you have has a name.
Sorrow, loss, the aftertaste of longing you have on your tongue. These are not what your doctors would call them. These aren’t the names of sicknesses. You are afraid that if you submit to the doctors that they would flip through their big books and actually find a title for what ails you; a different name from the ones you have chosen. Then you would no longer be in doubt that you are unhinged. Next the doctors would then try to find a cure, because that is what they do – find a cure for every sickness. You do not want to heal. You like sorrow’s company. It is your penance.  You like looking out from your glass house to see the storms billowing, knowing that there is the possibility that one day it would drown you in it.
THE SKIN OF OTHER WOMEN by Chukwuebuka Ibeh Leonard

THE SKIN OF OTHER WOMEN by Chukwuebuka Ibeh Leonard

THE SKIN OF OTHER WOMEN

by Chukwuebuka Ibeh Leonard

The skin of other women – First Runner-up of the 2018 Kreative Diadem Annual Creative Writing Contest (Flash Fiction Category)

Stay away
from men who peel the skin
of other women, forcing you to
wear them.
-Ijeoma Umebinyuo.

  She would wait for him to come home from football practice, to have a quick bath and come downstairs for dinner together, to lead her to the bedroom and make love to her swiftly and ferociously before she tells him she’s leaving. She plans to make it undetailed, a simple, self-explanatory sentence. I’m leaving, Nedu. She pictures his expression; impassive, as though uncomprehending. He would tilt his head sideways to get a good view of her face and then pull the covers up as though she had not spoken. And she would smile and say nothing.

But when he comes home, smiling and smelling faintly of alcohol, she finds her voice is gone. The routine follows it’s course, except in place of a break-up, she tells him her name; Kamnelechukwu. He tilts his head to watch her face, his eyes a question, and she knows she is supposed to smile and brush it aside, but instead she sits up and repeats her name. It’s Kamnelechukwu, she says, not Ngozi, not Bisi, not Maria. She would appreciate it if her calls her her name. He laughs that strange laugh of his and says he is sorry, Angela.

*

He is different, her man. She had known that the first time she saw him, at the club in GRA where they both sat facing each other at a corner of the dimly-lit bar. She watched the strippers twirling on the pole with startling expertise, declining offers from eager, bright-eyed men, offering her to buy her a drink. She had been in the process of turning down one of such offers -the insufferable man would not take a direct no for an answer- when she looked up, bored, and saw him for the first time. His features were striking; chocolate skin and oval face with lips curved slightly to the side in what could have been a smile, but it was his eyes that particularly got her attention, something about the directness of his stare that was disconcerting, and made her -strangely- shy. He did not look away when she met his gaze squarely and arched her brows for an explanation of sorts. She smiled at him already think of the best polite way to shut the man in front of her. It had to be the alcohol getting to her.  The bar was getting too hot and her vision slightly blurred, and on cue, she stepped out for a smoke knowing he would follow her, and he did. They stood side by side on the veranda, quietly overlooking the still, serene pool in front of them. He reached out to touch her face, running his fingers over her lower lips and it did not occur to her to stop him. She did not stop him too when he took the cigarette from her fingers and held it in between his. She expected him to take a long drag from it and probably puff the smoke on her face, but he held it mid-air for seconds before he tossed it into the pool. She would later come to learn that he was allergic to cigarette smoke, but that night she thought him, of all things, brave, and a little rude. It did not stop her from typing her number into his phone, did not stop her from letting him drive her home and kissing him in the car in front of of her apartment, with a delicate intensity that made her feel a new warmth in between her thighs. It was only when she took off her clothes in the bathroom that she realized she did not even know his name, did not know why the thought of his fingers on her cheek only a few minutes ago made her heart beat five times faster.

 

*

The first time he called her by another name, she was not sure what she felt. It had been six months since they started dating, a few weeks since she moved into his apartment, and she had never had cause to question his fidelity, and yet he had called her by another name. She waited for him to realize his grave error and be horrified, to stutter in his attempts at justification and end up confessing and apologizing. But he sat there smiling at her, totally at ease with himself, and it took her a moment to realize it was not a mistake. He genuinely thought she was someone else. And so when he called her by a different name the next time, she knew it wasn’t just his tongue slipping, and to her surprise, she replied.

It was the same way she would come to accept him, his flaws and his idiosyncrasies; same way she would listen to him go on and on about things they had done in the last six years ago even though they had barely been together for two years. It was the same way she indulged him when he talked about using cuffs and whips during sex even though she longed to tell him that the mere idea of using those eliminated the intent of the act in itself, which was pleasure. And he may be confusing her again for Chinwendu, or is it Jessica now?

It made sense when she found the diary in his drawer, flipped through the pages, absorbing the brief accounts of the lives of Maria and Ujunwa and Kosarachukwu, all the women who have shared his bed in the past, who have been in her place, all the women whose skin he scrapped off from time to time and made her wear.
The thing really is, she knows she’ll never leave. Even though nowadays, she no longer feels like herself. Even though she takes a deep breath, not sure it is hers. Even though she looks into the mirror, not recognizing the image that stares back at her. She knows she will never leave.

 

*

Her friends think he is erratic, unstable, psychotic? But she knows he’s fine. He just needs someone who gets him. When they see a man who’s bipolar at best and outright crazy at worse, she sees a man who’s broken and easily misunderstood in a world that thrives on convention; a man who’s stuck between two selves, a man who needs saving.

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