THE MEETING by Seun Lari-Williams

THE MEETING by Seun Lari-Williams

two person in long sleeved shirt shakehand

The Meeting

by Seun Lari-Williams

A pandemic meets an old man on the road.

Who is this who is not afraid of me? It asks.

You must be religious, I believe.

Which of the gods do you worship?

 

I am not religious, the old man replies,

I must go about my business.

You must be immune, then, the pandemic says,

or perhaps you have found a cure?

 

I really don’t care, the old man groans,

my business is urgent, I must go.

Then surely, you are foolish, the pandemic retorts.

Have you not heard the reports?

 

I am hunger, the old man began,

I’ve been here since the world began.

Wars and diseases, they come and they go.

None has lived as long as I have.

You burn at both ends; your end is near.

I burn slow like fine firewood.

Keep them indoors and fill them with fright,

but when I knock, they come right out.

 

Your reputation precedes you, the pandemic responds

and bows before the old man.

They kiss, hug and shake hands like old friends and

smile knowingly at each other.

 

The old man takes his leave and continues his routine—

knocking on doors and turning knobs.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

SEUN LARI-WILLIAMS was born in Lagos on 28th April 1987. He is a lawyer, poet, and flutist. His first anthology – Garri for Breakfast, was longlisted for the 2017 NLNG Nigeria Prize for Literature. His poem, ‘A Little Violence’, won the second prize in the 2019 Guardian Newspaper Poetry Competition. He is married to his best friend, Feyi and they reside in Munich, Germany where he is a DAAD Scholar for a masters’ degree in intellectual property law.

WHAT WE CARRY HOME by Chiwenite Onyekwelu

WHAT WE CARRY HOME by Chiwenite Onyekwelu

grayscale photography of woman

What We Carry Home

by Chiwenite Onyekwelu

I’ve been here for far too long,

I feel my body steeling into the soil,

 

making roots. Nothing grows beneath

my feet, or close to it, or along

 

this pathway where I sit to number

my children every day. I’m not afraid,

 

I swear, I just worry too much about

what we carry home whenever we

 

collide. My son is 6 and rocket-shaped,

a wild thing. Now and again, I nail

 

him to the wall, pray his body into

his room. I say, you must learn to sit 

 

in the house long enough until this flood

sun-dries. Each time a country drowns 

 

in the News, I memorize half the figures

that try to wash our faces down 

 

the drains. My daughter thinks we’ve 

overstayed the holiday. She rearranges 

 

her body on the couch, asks me to map 

out all of the spots where her shadow 

 

begins to rot. I decline, basin her on my

laps and smuggle her into safety.

 

There is nothing else to save from the

flood except this poem. Except you.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

CHIWENITE ONYEKWELU’S works have been published or are forthcoming on America Media, Brittle Paper, Kreative Diadem, ZenPens and elsewhere. He was a runner up for the Foley Poetry Contest 2020, a finalist for Stephen A. Dibiase Poetry Contest 2020 and winner of the Christopher Okigbo Poetry Prize 2019 for his poem “The Origin of Wings”. He was also shortlisted for the Kreative Diadem Annual Writing Contest 2019 and was the 2nd prize winner of the Newman Writing Contest (NMWC) 2017. Chiwenite studies pharmacy at Nnamdi Azikiwe University, Awka, Nigeria.

TELL THE TRUTH ABOUT THE SUMMER by Tiwaladeoluwa Adekunle

TELL THE TRUTH ABOUT THE SUMMER by Tiwaladeoluwa Adekunle

Sunglasses in beach sand

Tell the Truth about the Summer

by Tiwaladeoluwa Adekunle

how you find the soil of your joy

then the ceiling. the sweat.

the unmuted sadness.

the unspooled self.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

TIWALADEOLUWA ADEKUNLE is a writer and a 2nd-year doctoral student at Purdue University. Her creative writing appears or is forthcoming in Breakwater Review, 20.35 Africa, Indiana Review and 2017 Best “New” African Poets anthology, among others. She was selected as a scholarship recipient for the New York State Summer Writers Institute, and was honored to win the Flo Gault student poetry prize. Tiwaladeoluwa is also a founding member and facilitator of Rari, a Pan-African initiative for emerging poets. She was born in southwestern Nigeria.

CENTO FOR LONELINESS by Wale Ayinla

CENTO FOR LONELINESS by Wale Ayinla

A man with his eyes closed

Cento for Loneliness

by Wale Ayinla

A sound was wound in my head.

Yes, I know words call things into being–

claw at the bight’s grain.

It is unlikely that we are the only ones in this universe.

I don’t think I’ve ever written the word hope, 

but nothing else fits in here. 

I have been so careless with the words I already have.

Anything can be made into a cage.

We crack the egg, and the weak animal comes out wanting.

Hello, I’m here, I say. Get over it, they say.

God, I say. And it stays that way: no answer.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

WALE AYINLA is a Nigerian poet, essayist, and editor. He is a Best of the Net Award and Best New Poets Award nominee, and his works appear or are forthcoming on Palette Poetry, Connotations Press, Waccamaw, Glass Poetry, Existere and elsewhere. He is @Wale_Ayinla on Twitter. He is the founding editor of Dwarts Magazine.

THE SOLITUDE OF NIGHTS by Chiedozie Kelechi

THE SOLITUDE OF NIGHTS by Chiedozie Kelechi

cold dark eerie environment

THE SOLITUDE OF NIGHTS

by Chiedozie Kelechi

my days are a calendar of wants.

i want you beside me.

i want to run my fingers through your small black hair.

the rains are falling on the aluminum roof, and petrichor smells of bright things.

i want to know the fulfillment of flowers at the touch of water.

i want your velvet hands on my chin,

feline eyes staring into nothing.

i want to roll the cities between us 

and make them into a small bed to lie with you.

i want to wake up breathing with you at the edge of the map,

to move in you the way a tongue moves in a mouth,

like a shadow moves in light

for there is nothing beautiful here, in this darkness.

nothing in this blue room, now silent without your wings.

i recite age-long prayers for the safekeep of your lungs.

christ must come now, and his redemption must begin with me in your arms.

these nails are heavy, and my thorns are thick with longing,

the cross wet with desire.

sum this need, subtract scarcity and i am a plague’s cost.

late last night, my body made this scene: you playing the guitar with no gloves on,

your tender skin gleaming under the pale moon,

your reflection, a mist, alone on the river.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

CHIEDOZIE KELECHI DANJUMA is an essayist, poet and lawyer currently residing in Yola. His poems have appeared on Kalahari Review, Boom, Praxis Magazine. He has a forthcoming chapbook titled “If I Could Write in Water.” He tweets at: kelechi_dozie and can be reached via chiedozieogbu@gmail.com

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