“Sweat and Patience Always Constitute the Writer’s Best Weapons” – Interview with Brigitte Poirson

“Sweat and Patience Always Constitute the Writer’s Best Weapons” – Interview with Brigitte Poirson

TABLE TALK

“Sweat and Patience Always Constitute the Writer’s Best Weapons” – Interview with Brigitte Poirson

Brigitte Poirson is a multiple award-winning poet, a former teacher, university lecturer and editor that inspires the literary world out of France. She has authored seven books ranging from poetry to theatre and fiction, both in English and French languages. She has contributed to several magazines and anthologies. 
 
Poirson is popular in literary circles as a staunch promoter of African literature and offers her selfless support in grooming the next generation of writers and poets by creating spaces for them at the pinnacle of excellence. WordsRhymes&Rhythm, one of Nigeria’s largest poetry platforms organizes an eponymous monthly poetry contest in honour of Brigitte Poirson. She is an editor for Expound Magazine and the WRR – Caprecon Green Author Prize. 
 
In this inspiring conversation with Poirson, she sheds light on her writing process, her love for poetry and the sacred list of her literary mentors. 
 
Enjoy! 

 

KD: Tell us a bit about your early days. Did you encounter any challenges at the beginning of your career?
 
Poirson: Thank you for offering me the honour to answer your questions. A few days ago, when interviewed about his career, a film maker answered that your next film is always the first. In that sense indeed, each book you produce proves a new challenge too. Each book is always the start of a new beginning, just as every child you give birth to is singular and launches a new adventure. Every time, the process has to be reinitiated, especially with poetry. The challenges of testing a new, specific theme, treating it under a new angle and possibly reaching another kind of readership are constant. I believe writers must be prepared to stand up to the many tests of steering their books to creation, distribution and promotion for all their lives…
 
That is why we, in France, create various associations of writers – authors from the same publishing house or from others – and organise literary “salons” together. We contact mayors liable to be interested in arranging a meeting in their townhalls and inviting people to browse about and get hand-written dedications if they buy the books. I am a member of such a group called “Les Plumes Comtoises”. We have a president and a banner, but mostly we are birds of a quill and real friends. The Paris book “salon”, for instance, is a well-known and crowded event where you can meet new and famous authors. Meeting your readership proves a fruitful experience on both sides of the book.
In any case, sweat and patience always constitute the writer’s best weapons.

Brigitte Poirson

Multiple award-winning poet and writer.

KD: You seem to be very interested and involved in African (particularly Nigerian) poetry. Where does this interest stem from?

 
Poirson: Actually, I was born to Africa practically from birth. Customs, languages, landscapes, issues, tales and first-hand stories were waved at me from family living in Benin. There has always been an African me completing my European self. I later visited some African countries, in particular, South Africa. These were emotional encounters. In 2014, it so happened I came into contact with Samson Iruesiri Kukogho, a contributor to a poetry anthology, via Grapevine, that I compiled and published in Bloemfontein. Ensued a long-lasting friendship that enabled me to better discover the scope of the Nigerian poetic genius. That was when we decided to create an online college of Poetry, then a contest to encourage young poets and reward them.

KD: Are there any literary figures/poets that inspire you?

Poirson: Who has inspired and keeps inspiring me? Every ‘person of the word’, if you allow me that expression. All writers have a specific outlook on life and /or a whole universe to share. They do it more or less artistically and deftly, but what high-brow critics sometimes label pedestrian poetry, just as much as what some revere as crazily innovative lines, only manifest each creator’s vision of poetry. Despising people is not my trade. Promoting them is my concern.
 
Obviously, famous poets and novelists have steered me along my journey into literature. I have admired and studied mentors such as Victor Hugo, Louis Aragon, Shakespeare, Wordsworth or Auden, and so many more!  African literature has always attracted me for its imagination and wisdom. I read African stories from my early childhood, so later on Mandela, Achebe and a range of others have taught me to follow the difficult tracks of African challenges and the spirit behind its brilliance. Lots of novelists have inspired me, but of all of them, the one whose way to absorb human experiences and translate them into words has best spurred me into action remains Virginia Wolf. In this world more dedicated to science-fiction, suspense and violent actions, the stream of consciousness has lost some of its lustre, but not so to me.
 
Ultimately, the deep interest of meeting all these writers lies in the delectation of ingesting their creations, and by so doing, in learning to develop one’s own style under their protective eyes.

KD: What do you think about the state of poetry in Nigeria and Africa as a whole? Are there enough opportunities and recognition for aspiring poets in Nigeria/Africa?

Poirson: With the development of social networks in recent years, we have all become aware that the possibilities of reading, writing, and publishing books have increased exponentially. In that sense, Zuckerworld offers authors new opportunities to leverage their chances to be acknowledged and get a sense of belonging. The dreadful problem of location and isolation thus seems solved. This accounts for the innumerable blogs and sites devoted to literature. The oral traditions of spinning tales and poetic stories in Africa have also found a channel to expand the realm of the word. Nigeria and Africa, in general, are blooming into creativity, to my experience. But in the new, connected world, many aspiring streams may get lost and suffer from drought along their rush to the sea. Traditional publishers, more than ever, remain reluctant to invest in new talents. It is imperative to offer more opportunities for the poets and prose writers to shine. That is why I offer my services to WordsRhymes&Rhythm Publishers today and sponsor my eponymous contest with them, and many others too, plus editing. Naturally, initiatives such as Kreative Diadem must be encouraged.  Talents do not necessarily need to be acknowledged in the UK or elsewhere. Recognition at home is worth any other award…                                                    

 

“In consistence with what I mentioned before, allow me to state that we reinvent ourselves with every word we write.” – Brigitte Poirson 

Brigitte Poirson (center) 

In a recent gathering of a literary salon, Les Plumes Comtoises, held in France

KD: What is your writing routine like? Do your poems have a unifying theme or do you write based on matters of the moment?

Poirson: I have no specific writing routine. I write…when I find the time for it. I used to sit and scribble pages all day long when I was able to because a lot of concentration and documentation is needed to create collections of poems and novels.
But I am more involved in counseling, editing, scoring and rewarding a younger generation these days.
 
When I do compose pieces, I try to unite originality and depth, freedom of inspiration and respect for the language. The spirit of a poem or a longer form of literature is what matters most to me, coupled with a clear style.

 

KD: You host or promote many different poetry contests for Nigerian/African poets regularly. What is the overall vision with that?

Poirson: Hundreds of budding authors have been chatting me in the wake of the contests (and originally from posting my poems). As I have already hinted at, there comes a time when legacy becomes an obvious priority. And lending a friendly shoulder to young talents falls into line with my commitment to the various teaching activities I have been involved in. Lots of deserving, but isolated people feel lost when confronted with the harsh realities a writer must face in his activities. And they need counseling and editing. And encouragements. And recognition. They also need to test their capacities in a welcoming environment. Hence the contests. Mostly the BPPC, aimed at lifting their spirits.

 

KD: Any forthcoming books at this time?

Poirson: I have a forthcoming novel in store. It has been longing to be published for ages. It just needs a bit of editing after all this time. I just hope to be able to find a few moments to do it! I have a publisher for it. So, I look forward to adding that nice gloss it is lacking today. It is a French novel, by the way. I also have a few English short stories waiting to be published.

KD: Any advice for aspiring poets in Nigeria?

Poirson: Aspiring poets know they must strive to find their own style. They know they are expected to stand out among the writing crowd, if they are to be noticed. But it is my belief that finding one’s style cannot be a forced process. It must come from reading others and sweating over one’s own work, and naturally from delving into one’s deepest experience. Aspiring authors, during this quest to the Graal, sometimes tend to align big, learned words. Fine. But accuracy in the choice of words and economy of words and simplicity also work very well when your point is forceful. They also tend to have recourse to tricks supposed to be inventive, like making endless sentences in which they and we may get lost, deleting punctuation, which may be very misleading for the reader, or creating jarring images, all in the name of poetic licence. Poetic licence cannot be invoked to justify [your work if] you don’t master the language. It is my conviction that authors must know where they lead their readers, even in poetry. Letting the readers find a meaning to your texts sounds to me like a justification for not really knowing what you mean. Forgetting to systematically self-edit texts is also a common weakness. But these are only beginners’ issues. Most of the poets I happen to read master the language with incredible creativity and pleasant inventiveness.

KD: What do you think about Kreative Diadem?

Poirson: Online platforms like Kreative Diadem, that create communities of poets, are obviously initiatives to be admired, encouraged and celebrated. The aim consisting in providing an audience with opportunities to share their creations and be published…and read! must be lauded indeed. “To inform, educate, entertain and inspire” young minds through literature is what fights ignorance and violence best in this crazy world. Just never stop!!!!

 

KD: Any Final words?

Poirson: In consistence with what I mentioned before, allow me to state that we reinvent ourselves with every word we write. We keep experimenting literature and the world inside and outside ourselves, and the next word is always the first. So, I’ll let you mull over this line that concluded a French poem I wrote years ago as an epitaph and which could translate into this:
      “My very last word was: it is only my first.”                                                                               
Keep shining, and thanks for the opportunity!           

 

Our second issue ever (published in 2019) Rebel is out. We had enthralling conversations with Frances Ogamba, Caleb Okereke, and Logan February. It is a bouquet of the best thought-provoking pieces you will find out there.

Do you love our published works?

You can add your literary work to an endless list of poems, short stories, flash fiction, and essays.

Kreative Diadem

The right to think is the right to write

© 2015 - 2020 Kreative Diadem. Copyright. All Rights Reserved.

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THE HUMILITY OF GOD by Samuel Kolawole Adebayo

THE HUMILITY OF GOD by Samuel Kolawole Adebayo

THE HUMILITY OF GOD

by Samuel Kolawole Adebayo

He who made water
Came to Jordan
To be baptized of water.
God took upon himself
The flesh of man,
Which will mean God visited the John [which is not Baptist],
Which will mean God might have slept
In a room full of mosquitoes,

 

Which will mean God might have
Been beaten by rain,
Which will mean God can cry,
Which will mean God is just like you and me,
Which will mean the creator
Became as his creation,
Which will mean salvation
Is for the high to come low.
And this will mean I cannot save others
If I look at them from above,
This will mean change happens not in the palace,
Not from the corridors of power,
Not from the distant throne;
I was made high for the low.
I must become as the common man;
For only when the palace
Comes unto the sordid places
Will change truly begin.
And isn’t this how God saved man?
 

 

ABOUT THE AUTHOR

Kolawole Samuel Adebayo is an old soul in a young Nigerian body whose poems seek to awaken human consciousness. His poems have appeared or are forthcoming on Glass Poetry, Button Poetry, Burning House Press, Anti-Heroin Chic Magazine, Tuck Magazine, Mojave Heart Review, Praxis Magazine, Eunoia Review, BPPC anthology, and elsewhere. He likes to connect with his friends via his Twitter handle, @samofthevoice.
WHAT TO IMAGINE by Yusuff Uthman Adekola

WHAT TO IMAGINE by Yusuff Uthman Adekola

WHAT TO IMAGINE

by Yusuff Uthman Adekola

What to imagine by Yusuff Uthman Adekola – Shortlist (Top Five) of the 2018 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

Imagine you were a fish
Placed on a sandy line between water and land,
Feeling the caressing touch of life on one end
Yet feeling the peeling scorch of death on the other..

Imagine. Just imagine. 

Imagine you were a goat
Tethered to a stake where a guillotine lurks unseen,
Savouring the painful delight of amputated freedom
But before your bleating doubt lies a mountain of cassava…
 
Imagine. Just imagine.

 

Imagine you were a bulb
Dangling and dancing to the wobbly rhythm of the Abiku,
Celebrating your glowing garment for a second swiftly murdered
But soon mourning your drowning light for a million faceless years…

Imagine. Just imagine. 

Imagine you were a pot
Twerking to the sweltering me(a)lody of searing flames,
Spitting grief through a cloudy rise of curly steam
Yet spraying the aroma of hope into hungry nostrils…

Imagine. Just imagine.

Imagine you were
The only molecule of air amongst a swelling family of heat,
The only pond of water on the fiery face of a sprawling desert,
The only one-legged lion in a den of legless lions,
The only green leaf amongst a sea of yellowing leaves…
 
Imagine. Just imagine.
Imagine all these,
But never imagine you were a lonely human
Bound by the fetters of national tendrils of spikes and spites,
National tendrils unworn only with the politics of connections,
Or else you shall worship the haunting ghost of slain salaries…
 
Perhaps imagine. But don’t imagine this for long.

 

 

ABOUT THE AUTHOR

Yusuff, Uthman Adekola writes to reflect his society. His poems have appeared in a few literary/non-literary journals and websites like Praxis Magazine, Ngiga Review and more.
He also does poetry performance and a bit of spoken words. He has performed his poems in few events across Nigeria and has made the shortlist of or won certain poetry contests.
He believes in the use of art for social change.
I KISS THE NATURE GOOD MORNING by Kamarudeen Mustapha

I KISS THE NATURE GOOD MORNING by Kamarudeen Mustapha

I KISS THE NATURE GOOD MORNING

by Kamarudeen Mustapha

I kiss the nature good morning
And brew a pot of honey in my veins

I converse with the wild hues of the wilderness
And win myself a garland of rainbow around my neck

Today I befriend the weaverbirds and their tweeting colony
See how fast I become a chatterbox of modern lore

I imitate the Nightingale and its solemn notes
See how fast I become a singer of fortune

The day I imitate the oracle,
I will become a poet of vision

I will borrow its mystic gaze
That threads the innards of truth 

I will borrow its nimble feet
That walk the labyrinth of wisdom

Tired of borrowing, I may steal its prophetic flames
That burn the dross covering the gems of tomorrow 

I may steal its everlasting repose
And learn the secrecy of patience
 
Tell me which blacksmith fashions his ore
And fabricates his sinews
The uniqueness of his saber
Comes from the zealousness of his shadow
 
The length of his shadow comes
From the reflection of his person by the height of his fire 
Not the ore and neither the fire
But the power of his bellows
 
Then the strength and the rapidity of his hammer
On his anvil…

 

ABOUT THE AUTHOR

Kamarudeen Mustapha (Prince Dankeketa) writes short stories and poems. He is a teacher and a photographer based in Ibadan, Nigeria. His poems and short stories have been published in Our Poetry Archive, Setu online magazine, Africanwriter.com, and Kreative diadem. He had also had poems published in some anthologies apart from self-publishing some children story books like Zinari, the Golden Boy, Winners Never Quit, Magic Birds, Wayon Bana ( Hausa ) among others. His debut novel ‘Zero Orbit’ is almost ready for publication.
“Writing is my calling” – Interview with Su’eddie Vershima

“Writing is my calling” – Interview with Su’eddie Vershima

TABLE TALK

“Writing is my calling” – Interview with Su’eddie Vershima

Su’eddie Vershima is an African poet, development worker, and president of African Writers at the University of Sussex, where he currently pursues an MA in International Education and Development as a Chevening Scholar. Vershima is the author of Home Equals Holes: Tale of an Exile, The Bottom of Another Tale, and Bring our Casket Home: Tales one shouldn’t tell.


He was Joint Winner—Association of Nigerian Authors (ANA) Prize for Poetry 2014, Winner, Mandela Day Short Story Prize 2016, listed on The Nigerian Writers Award 100 Most Influential Nigerian Writers Under 40 (2017 & 2018), among other notable achievements.
In this insightful conversation with Kreative Diadem, Vershima talked about his early days in writing, what inspires his writings and his forthcoming works amongst many other things. Enjoy.

 

KD: Let’s meet you, can you tell us about yourself?
 
Vershima: I am a husband and father, friend and writer. I am also a development worker, emerging education expert, and a believer in the human project. I am a Chevening scholar, currently studying for an MA in International Education and Development at the University of Sussex where I am also the President of African Writers.

Su’eddie Vershima

Chevening Scholar & President of African Writers at the University of Sussex

KD: When did you start writing professionally and can you tell us a bit about the early days?

 
Vershima: I am not sure I am a professional writer because the sense of professional writing, particularly as seen in the West is different from what we have in Nigeria. In our country, we are just passionate people who let the ink of our thoughts keep flowing in diverse ways. It is something we find ourselves doing, those of us who do it, and try to keep getting better each day. Having said that, I will just note that I was fortunate to be born into a creative family. I grew up with my elder brothers, Gabriel Agema, Taver, and Sever Ayede, doing magic with comics and making toy men. My sister, Theodora used to draw Captain Love too and tell her tales. These annoying siblings of mine would not end any comic so I eventually decided to do mine. So, in a way, I owe my writing foundations to these ones and to my mother, who bought me a lot of the Heinemann books. My dad told me stories he had read or heard.
So, I was creating consciously and writing various forms of stuff.  My younger siblings, Ngohide and Terhide inspired me to keep on, even as my other brother Ver was a motivation. In secondary school, I would draw comics with my friend, Tardoo Ayua, who drew far cooler stuff. There was also Obinna Okeke, who wouldn’t do as much. He was good too, but not as cool as us. (Laughs). I would write stories too and show my teacher, Mr. Emmanuel Mbatsavde. My creative process took a turn when I got into the university, and was tutored by writers like Dr. Andrew Aba, Dr. Maria Ajima and Professor Moses Tsenongu. I had great support in those early days from my friend, Sam Ogabidu, who encouraged my efforts. He was the ANA Chairman in Benue and I was the financial secretary, administrator and e-officer. I also got support from my colleagues in the university, Andrew Bula and Joshua Agbo, to mention two. But the biggest change to my writing came when I encountered the writings of Professor Hyginus Ekwuazi. He was a revolution to my writing and thinking. He is a remarkable man who remains one of my favourite persons till date. In a roundabout way, that is a summary of most of my writing history. It could be longer but let me not bore you.

KD: How would you describe your writing style?

Vershima: My writing style is evolving. I used to have a lot of my cultural roots in my work. Prof. Ekwuazi used to taunt me and say he understands that it is the typical way of everyone trying to ensure that their corner of the backyard was preserved. In essence, we are all fighting to preserve what we can in a globalising world eating away at all we once were. A world where our diversity is being swallowed as we become homogenous in a global village. My writing, these days, are becoming more conscious of my immediate surroundings. I am describing far more than I used to. I used to believe that my writing should be somewhat like some parts of the New Testament tales, particularly in its description of key characters where you are left to imagine what they looked like. All that is changing and I own it. It is life’s constant, change. Other than that, I can say my writing is deliberate. I think and think hard before I write. A simple poem or tale takes more months and months, some times, years. So, it is a deliberate and often, tiring process. But who knows, even that too might change at some point.

KD: Can you give a brief description of your writing process or routine? Do you have any helpful writing tips you’d like to share?

Vershima: My writing process is usually not healthy. I am usually the editor and creator at the same time. And this is not right or helpful many times. We had this workshop in Oxford early this year and Nick Makoha who facilitated kept mentioning that these are two different people. The creator comes into conflict with the editor as they are different. As such, we have to let the creator do his/her work, then let the editor work much later. I wrote on this and put it up on my blog. You can search for it online and share that link. Might be useful for someone somewhere, especially as Makoha says there is no such thing as writer’s block!

 

Writing is a calling for me. Something that is a part of me which I cannot discard. We will do what we can to move on.

Su’eddie Vershima

Chevening Scholar & President of African Writers at the University of Sussex

KD: What are some of the challenges you face as a writer and poet? What steps do you take to overcome them?

Vershima: Life conflicts with writing. You have to earn and you have to be all the other things you are. At the moment, I am also a scholar so I have to face work, studies, life, and family while also trying to do my writing bit. I am also almost always working towards the promotion of writing and writers, which can be distracting itself. We are currently working towards a literary festival in Benue in June 2019. A few months away. That is work and distracting, as you cannot near imagine. The death of Pius Adesanmi on Sunday (March 10, 2019) also reminded me of the part of the writer as a social crusader. Especially in our clime. Having to do that too, is something that will challenge my creative process. But in the end, it is what it is. Writing is a calling for me. Something that is a part of me which I cannot discard. We will do what we can to move on.

KD: What was it like completing and publishing your first book?

Vershima: It was awesome. I published my first collection in 2012. I would have published earlier as I had – or thought I had – the right material. My foster father, Mr. Charles Ayede, told me to hold on a bit. He wanted me to get my work through a few critics and things like that. He would also tell me that Literature would not put food on my table. By some strange coincidence, his death gave birth to new poems in his honour. They are what came to be the chunk of Bring our casket home: Tales one shouldn’t tell, my first collection. Hyginus Ekwuazi, who wrote the Foreword to the book, helped me with part of the title and also inspired the poem, ‘Tales one shouldn’t tell.’ The book also helped birth SEVHAGE Publishers. The second book we did was my cousin, Faeren Adzege’s book, A Teen for God. So, in a way, completing and publishing that first book set in motion several things that keep unraveling themselves each day.

KD: In 2016, you won the Mandela Day Short Story Prize. What was the inspiration behind your winning entry?

Vershima: The winning entry was ‘Washing the Earth.’ It was inspired by a sunny afternoon in Makurdi. I can’t remember the details but I know that my head kept spinning. It is one of those stories that tasked my imagination.

KD: Who are some literary figures that inspire you/you look up to?

Vershima: There are a lot of them, if I would be honest. The two top people on that list would my wife, Agatha and Hyginus Ekwuazi. Closely following is my near twin, Servio Gbadamosi. I am inspired by my friends and I am fortunate to have them around me and with me. I am inspired not just by their writings but also the work they are doing in the literary world and other spheres. I can easily mention the writers Abubakar Adam Ibrahim, Sam Ogabidu, Debbie Iorliam, Aondosoo Labe, Innocence Silas, Otene Ogwuche, Daisy Odey, Kukogho Iruesiri Samson, Dike Chukwumerije, Romeo Oriogun, and Dike Chukwumerije.

It might be weird or ironical but there are also some people who keep me on my toes and inspire me greatly. The names that would easily pop up here include my sister, Jennifer Aduro, Oko Owi Ocho (Afrika), Deborah Oluniran, and Torkwase Igbana. These people are lights that really help me on many dark days. Following would be Justin Ebuka Muodebelu and Nana Hauwa Sule, who I believe in so much. There are other names I can call but let’s keep it short for now.

KD: Do your poems and short stories have a unifying theme or you simply write on matters of the moment or what inspires you?

Vershima: I am inspired by several things. Life. Events. Some times, even dreams. Other times, the inspiration just comes from within. I guess I should say, Aondo – God – does His magic, right?

 

KD: What are some of your long term goals as a writer?
Vershima: Well, it is to give myself out as much as possible. I don’t want to go back to Aondo with anything inside. To be able to be relevant to my country and to my generation in every ramification. To rise above ordinary creative fiction and verse to be a voice where words are meant to be spoken. I also hope to create platforms where more voices can be heard, collaborating with as many people as possible to make our land better even as we help those we can to be better.

KD: Are you currently working on any book(s) at the moment?

Vershima: Yes, a children’s book which had a limited publication last year but which would be out by June 2019. The title is Once Upon a Village Tale. I am also working on a short story collection and another poetry collection.

 

KD: Do you think there are enough opportunities for aspiring writers/poets in Nigeria?

Vershima: For aspiring writers and poets, a lot needs to be done. For writers, a lot has been done, a lot is being done and will be done. More opportunities are opening and the landscape is getting more beautiful. Things can only get better.

 

KD: What advice would you give to aspiring writers like yourself, especially in Nigeria?

Vershima: I am not an aspiring writer. I am a writer. To all those who are aspiring, leave your aspirations and get into the business of writing.

 

Our second issue ever (published in 2019) Rebel is out. We had enthralling conversations with Frances Ogamba, Caleb Okereke, and Logan February. It is a bouquet of the best thought-provoking pieces you will find out there.

Do you love our published works?

You can add your literary work to an endless list of poems, short stories, flash fiction, and essays.

Kreative Diadem

The right to think is the right to write

© 2015 - 2020 Kreative Diadem. Copyright. All Rights Reserved.

FOLLOW US

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