DEAR DADDY by ‘Bukola Ibirogba
DEAR DADDY
by ‘Bukola Ibirogba
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DEAR DADDY
by ‘Bukola Ibirogba
LOVE
by Eunice Oladeji
Right after my parents died, I was packaged to my brother’s home. I was still in shock from watching my parents burn to death in a fire that I started. At an age where everything was fascinating and worth trying, I had lit a match close to a leaking gas cylinder. The explosion that ensued flung me against the edge of our kitchen table. My father was the first to get to me. Mother was upstairs, ill in bed. He carried me out and told me to run to our neighbors. He ran back inside to get mother, but neither of them made it out.
So, when father and mother died, there was nowhere else to go, except his house. Gabe and I were never close, so it was just strange and awkward at his place. It was worse with Faye, because I saw her as just one of the random girls that Gabe moved with, and not his wife. I desperately needed comfort and someone to share my grief and guilt with. I needed assurance that their death was not entirely my fault. I desired a hug to take away the pains that tore at my six-year-old heart. But, Gabe could offer me none of these. Things got worse a year later when Gabe and Faye divorced. Gabe said he could no longer cope with taking care of me. He put me up for adoption. I thought it was a joke, until my first foster parents walked up the front porch of Gabe’s house. I can’t recall the surname they came with, but I remember the cigarette smell that clung to them. After some hasty handshakes between the adults, I was taken to their green truck. I remember the color of the truck because I so much dislike green and that made me conclude I was not going to like that couple either. I was right.
LOVE LESSONS
by Kanyinsola Olorunnisola
Kanyinsola Olorunnisola is a poet, essayist and writer of fiction. He writes from Ibadan, Nigeria. His writings border on the themes of unease, racism, colonialism, terror and all things familiar to the black folk. He describes his art as that specialized literary alchemy which aims to extract beauty from the frail commonplaceness of words.
So because you're not glued by blood
mere haemo-bond,
you shrug at the news at 8.
You say there are no worried wrinkles
on the forehead of the cute newscaster
who brings bloody news
from Potiksum, only in a jiffy;
But would you blame her,
Her tear gland is a dry well.
The corporate duress screams
"Shed no tears, show no emotion!"
They say Oprah Winfrey
divorced her own fetters on the desk
But I say “shed no tears
to know the pains of these orphans-
tenants under dirty bridges.
You must first enter the parlour of their grief,
and burn in the kitchen of their memories.
You'd see, the only fire there
is that of loved ones
Don't be fooled
by their clipped mouths,
for when anguish is excessive,
It castrates your tongue.
We're one big family
I once stumbled on a new relative:
A Nigerien lass, tugged at me
Her hair curly and shampooed
by extreme sunlight,
her bony finger tore my new Designer shirt;
at first, I was enraged,
but then, that ugly hole led to a map
A raconteur told me
“no child is fatherless.
Are there not too many men
to go round?
But love is enough
to check against the kerfuffle in Chibok,
“You do not mend dying homes with bricks
but another bit of love.”
He said.
Home is not only where you go at nights;
it is also the stubborn smile
on my Nigerien friend.
ABOUT THE AUTHORAgbaakin O. Jeremiah, an aspiring poet and campus Editor reads law in University of Ibadan.His works have graced several anthologies including Briggite Poirson Anthology and are forthcoming onThe Niyi Osundare @70 Anthology, Irawo Anthology, etc.His other publications feature (and forthcoming) on Liquid Imagination, Antarctica Journal, Wagon Magazine, Sentinel Literary Quarterly, Kalahari Review, Praxis Magazine, African Writer, Sub-Saharan Magazine, Pulse Nigeria and elsewhere.He was a shortlisted for 2016 Dwarts Poetry Prize. He also won the maiden edition of Ogidigbo Poetry Contest, University of Ibadan; and was also a six-time finalist of 2016 Brigitte Poirson Poetry Contest.
So because you're not glued by blood
mere haemo-bond,
you shrug at the news at 8.
You say there are no worried wrinkles
on the forehead of the cute newscaster
who brings bloody news
from Potiksum, only in a jiffy;
But would you blame her,
Her tear gland is a dry well.
The corporate duress screams
"Shed no tears, show no emotion!"
They say Oprah Winfrey
divorced her own fetters on the desk
But I say “shed no tears
to know the pains of these orphans-
tenants under dirty bridges.
You must first enter the parlour of their grief,
and burn in the kitchen of their memories.
You'd see, the only fire there
is that of loved ones
Don't be fooled
by their clipped mouths,
for when anguish is excessive,
It castrates your tongue.
We're one big family
I once stumbled on a new relative:
A Nigerien lass, tugged at me
Her hair curly and shampooed
by extreme sunlight,
her bony finger tore my new Designer shirt;
at first, I was enraged,
but then, that ugly hole led to a map
A raconteur told me
“no child is fatherless.
Are there not too many men
to go round?
But love is enough
to check against the kerfuffle in Chibok,
“You do not mend dying homes with bricks
but another bit of love.”
He said.
Home is not only where you go at nights;
it is also the stubborn smile
on my Nigerien friend.
ABOUT THE AUTHORAgbaakin O. Jeremiah, an aspiring poet and campus Editor reads law in University of Ibadan.His works have graced several anthologies including Briggite Poirson Anthology and are forthcoming onThe Niyi Osundare @70 Anthology, Irawo Anthology, etc.His other publications feature (and forthcoming) on Liquid Imagination, Antarctica Journal, Wagon Magazine, Sentinel Literary Quarterly, Kalahari Review, Praxis Magazine, African Writer, Sub-Saharan Magazine, Pulse Nigeria and elsewhere.He was a shortlisted for 2016 Dwarts Poetry Prize. He also won the maiden edition of Ogidigbo Poetry Contest, University of Ibadan; and was also a six-time finalist of 2016 Brigitte Poirson Poetry Contest.
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