CENTO FOR ISOLATION by Wale Ayinla

CENTO FOR ISOLATION by Wale Ayinla

misty hand pressing against a glass

Cento for Isolation

by Wale Ayinla

Tell me about despair, yours, and I will tell you mine.

The way that the sea fails to drown itself every day.

I wake up & it breaks my heart. A return to the strange

idea of continuous living despite the mess of us, the hurt,

the empty. In an effort to get people to look into each other’s

eyes more, we just gather on the balcony & swallow all the silence

until we’re filled with fireflies & sleep.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

WALE AYINLA is a Nigerian poet, essayist, and editor. He is a Best of the Net Award and Best New Poets Award nominee, and his works appear or are forthcoming on Palette Poetry, Connotations Press, Waccamaw, Glass Poetry, Existere and elsewhere. He is @Wale_Ayinla on Twitter. He is the founding editor of Dwarts Magazine.

ONCE THIS IS OVER by Seun Lari-Williams

ONCE THIS IS OVER by Seun Lari-Williams

photo of sunflower

Once This Is Over

by Seun Lari-Williams

Once this is over,

I shall run into the arms of each morning

and take in the deepest breath.

My eyes will make friends with birds and flowers

and cars and buildings and clothes.

I will fill my nostrils with the boisterous

smell of bread from the bakeries

in Bavaria.

My teeth will shine brightly at everyone

who looks my way.

I will wave frantically at strangers.

I will give the warmest handshake anyone

has ever known.

My skin will hug the rays of the sun.

When the cold winds come,

it will not complain.

I will dance Bata with the rain. 

I will make the night sky my ceiling

and swim with the moon and the stars.

Once the iron gates are open,

Once these walls are broken,

I will be free again.

I will walk the streets like a

proud king.

 Once this is over,

You will see a new me.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

SEUN LARI-WILLIAMS was born in Lagos on 28th April 1987. He is a lawyer, poet, and flutist. His first anthology – Garri for Breakfast, was longlisted for the 2017 NLNG Nigeria Prize for Literature. His poem, ‘A Little Violence’, won the second prize in the 2019 Guardian Newspaper Poetry Competition. He is married to his best friend, Feyi and they reside in Munich, Germany where he is a DAAD Scholar for a masters’ degree in intellectual property law.

APOCALYPTO by Rachel Magaji

APOCALYPTO by Rachel Magaji

graveyard

Apocalypto

by Rachel Magaji

blood_ 

in my village, a six-year-old girl became a canvas & her once clear skin was a shrine carved with obscene figurines. sharp machete-like pencils with clear lines cut through her skin like tattoos & she bled crimson flowers. 

 

fire_

the moon & the stars hid their beam & betrayed us. the only glows were yellow embers & black smoke that flew from the structures we called home once. we raced breathlessly into the starless night, embracing the darkness we dreaded. 

 

water_ 

i think my neighbor’s alarm broke again. i didn’t hear their feet dragging languidly. their mother’s sonorous voice & their gruesome banter at the well didn’t permeate my dream. 

‘god must be good,’ i smiled to myself. till i saw their heads and their bodies standing apart. 

 

 how do you hold the ocean in your fist? 

 

spirit_

i was told at seven that the blood of an innocent boy once cried & his murderer got an achilles foot. 

i do not believe ghosts exist anymore, grandpa lied. dead bodies only become dirt & whisk away with the wind. 

earth_

i fear my eyes are 

becoming a reservoir

of cascading water (tears)

& it’s getting harder

to keep it in.           

 

 ‘dust to dust, ashes to ashes’,

the priest reads & hurls a stone to my chest with his tongue (words) & kindles the fire in my nose (burns) & i convulse on the ground beside my brother’s grave. 

 

word_

white: the color of the pristine coat on the pretty woman standing beside my bed. 

 

 ‘what do you remember from last night?’ she asks. 

 

/my lips swear an oath of secrecy/ with my tongue & hides/ the truth in the locket/ dangling in my throat. /she shakes her head in disbelief/ her face white like her coat. / 

/no! like the color of fear/. 

 

how do you master the knife?

you don’t get caught (cut)!

 

a tear escapes my left eye as my mother pushes her broken body (matted in bandage) towards me, eyes sore & swollen. 

 

she smiles weakly ‘one of them was arrested. he’ll be taken to the rehabilitation center’ she says to me.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

RACHEL RABO MAGAJI is a creative writer, digital marketer, and environmentalist from Kaduna State. She’s a graduate of Environmental Management from Kaduna State University, Nigeria. Her literary work has been featured in Hedgerow #130, Haikuniverse, Femku issue 22, SprinNG Literary Movement, Akitsu Quarterly 2020 Summer, The bamboo hut, and Abbyamam’s blog. Connect with her on Instagram (@dr_raeee), Twitter (@rachierabson), and Facebook (Magaji Rachel).

HOW THE DOCTOR AT WARD C EXPLAINS ISOLATION TO HIS COVID-19 PATIENTS by Chukwu Emmanuel

HOW THE DOCTOR AT WARD C EXPLAINS ISOLATION TO HIS COVID-19 PATIENTS by Chukwu Emmanuel

ethnic woman in medical mask on gray background

How the doctor at ward C explains isolation to his covid-19 patients 

by Chukwu Emmanuel

Day 1

When your tender body

begins to quiver

in this small moments of grief.

 

Day 3

Know the weight of anxiety in your chest level,

some concepts cannot be theorized 

When holding synthesized sadness to a spot.

Day 7

The wound measures how much color

it has taken from us. 

Accept it by becoming familiar with what lives inside you.

 

Day 10

Truth is you cannot cut twice

It is either you cannot pray

Or you love the formless shape of fear.

 

Day 14

To live is to accept what we cannot love

All the cases exploding around

you are simply fireballs.

Source: From the Isolation Issue (September 2020)

How the doctor at ward C explains isolation to his covid-19 patients

by Chukwu Emmanuel | POEMS

ABOUT THE AUTHOR

CHUKWU EMMANUEL is a Nigerian. He is a medical student with the spirit of writing in his blood. His works have been shortlisted for Kalahari Review Igby Prize for Nonfiction in 2019 and in 2018 for both Prose and poetry categories for Benue Literary Festival. His works has been published by or are forthcoming in Praxis’s magazine, Africanwriter magazine, Libretto magazine and numerous blogs. He’s currently working on a collection of a collection of stories documenting medical life. 

I KNOW by Bayowa Ayomide

I KNOW by Bayowa Ayomide

grayscale photography of woman s face

I KNOW

by Bayowa Ayomide

If you ask me, I may know why the caged bird cries.

I used to think of deserted water as the loneliest,

then I realized the sun’s the creepiest.

It peeps from the sea’s blanket with its hands within,

looks around, and reptiles far away into the sky, quickly.

The earth is now spiral, like a snake chasing its tail.

I know because time is the only thing moving.

‘i’ is a candle with an invisible wick, burning dots upon itself.

Walls do not send fire upon a matchstick

scrubbing its forehead against their bricks,

because I think I smell the kerosene of

the third world war‘ like ‘Christ is coming soon.

I was hypnotized; my beak does not fit in the cages’ iron.

There are voices hidden in these walls;

I hear cries and giggles that are not my own.

Something, someone, somebody farts in the air;

We, us, our soldiers are fighting unsure wars.

The clink-clank milk squeezing out brown, black tea

is an outbreak hitting my head, skull split, rebellious soldiers?

I know I have sinned.

I know Isolation is idolatry—

worshipping the deity of separateness and loneliness.

I know because the wind is the only thing outdoor to stir the children’s swing.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

BAYOWA AYOMIDE is a Nigerian-Canadian poet, filmmaker, actor, and cinematographer. He transferred from the University of Ibadan to complete his B.A in Theatre and Drama Studies and Creative Writing at the University of Toronto, Canada. He was a long-list of the Nigerian Students Poetry Award 2018, shortlist of the 2018 Eriata Oribabhor’s Poetry Contest, the runner up of the 2020 On-Spot Poetry Writing Contest, a shortlist of 2018 and 2019 Christopher Okigbo Interuniversity Poetry Prize. His works have appeared on Praxis-magazine online, Africanwriter, Afas Review 2018, The Medium- University of Toronto’s Campus Newspaper and BPPC. He is the author of the chapbook, ‘Stream of Tongues, Watercourse of Voices.’ He believes so much in the nightly prophecies of the crickets behind his window.

HOW TO JAIL A BIRD by Bayowa Ayomide

HOW TO JAIL A BIRD by Bayowa Ayomide

photography of small blue and brown bird

HOW TO JAIL A BIRD

by Bayowa Ayomide

– or how to bail on your bed.

First, one needs a nose respirator or a lab coat,

a science-student or a surgeon.

Lock the bird up in a box made up of transparent carpentry.

Fear is enough to make a bird a scapegoat,

the sky is what a bird needs to disappear.

Dissection into a correctional institution is an inside job.

The bird is not caged.

It would be best if you placed a penny in an inmate’s hand.

The officer’s circumrotation is from the right; you take a left.

The bird has a different look, maybe a butterfly—

the one that flings around your belly

when you’re called upon to give a speech.

Something like a slingshot is us on you from the audience.

You’re not sure; your mind is a battlefield of negativity.

The bird will not be caged.

Tonight, the correctional officers are not changing shifts.

The prison smells the same. When you wake from your bed, the dissection is your body structure carving your likeness on a foam.

Your hands are in plain views all times;

visitors are not allowed to hug nor touch you.

You know this is not pure science,

the deadliest weapon is launched in your psyche.

A bird’s cage is her song.

You’re a survivor; you’ll bring the war in your throat to its knees.

Please take out your cell apparatus,

that item we use to put one within electronic frames.

Smile. Chirp. Break loose. Let the still-life victim escape.

Source: From the Isolation Issue (September 2020)

ABOUT THE AUTHOR

BAYOWA AYOMIDE is a Nigerian-Canadian poet, filmmaker, actor, and cinematographer. He transferred from the University of Ibadan to complete his B.A in Theatre and Drama Studies and Creative Writing at the University of Toronto, Canada. He was a long-list of the Nigerian Students Poetry Award 2018, shortlist of the 2018 Eriata Oribabhor’s Poetry Contest, the runner up of the 2020 On-Spot Poetry Writing Contest, a shortlist of 2018 and 2019 Christopher Okigbo Interuniversity Poetry Prize. His works have appeared on Praxis-magazine online, Africanwriter, Afas Review 2018, The Medium- University of Toronto’s Campus Newspaper and BPPC. He is the author of the chapbook, ‘Stream of Tongues, Watercourse of Voices.’ He believes so much in the nightly prophecies of the crickets behind his window.

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