GRIEF WILL REMAKE YOU by Ernest Ogunyemi

GRIEF WILL REMAKE YOU by Ernest Ogunyemi

GRIEF WILL REMAKE YOU

by Ernest Ogunyemi

Grief Will Remake You – First Runner-up of the 2019 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

“Grief will probably/ redraft your whole/ anatomy”
—Caroline Ebeid

I have just begun my walk out of dawn
& I have begun picking dead leaves.

I have never played so close to fire, but
hear, I know the language of been burnt.

my mother taught me, the taste of a live-coal
on a boy’s tongue, when she walked out of her body,

left it a snail shell. today, I forget the language of joy,
I forget how happiness grows into a sugary bird

filling every puff of cheek, nestling under the pave
of the tongue, hiding in the spaces between the teeth

where god decided to let air in in seeps. it is the doing
of grief. how it will gift you a new tongue, or scrape clean
 
the one you knew; bland every bud that knows
sweetness; fill your mouth with a new song,
 
the way a Mother python fills a room-corner.
tell me, what is grief itself if not the remaking of a life?
 
how motherless boys are pushed into a life we never chose
burning wood & Maami’s cooking & the smell of grief’s spittle
from its latest fresh at your skin fills my nose like air.
rainwater & saltwater & the buttery taste of mucus on my tongue.
the rusty bunk bed, your fragile self pressed into its bosom.
here: the sword-edge sharp coldness of your eyes,
the wilt flowers in your hair, the after-rain quiet of your body.

 

something in my head whispers, this might be a joke.
death does not take people when their bodies begin
to green, when they’re in their most beautiful dresses—
does it?
 
when does it not?
 
I feel the pinky of grief on the nape of my neck, its touch
cold & warm like the welcoming of a new born & the burying
of its mother. the ants on my inside roam about, they pinch,
they want. a dead bird falls from my chest & ends at the floor
of my belly. the ants gather in its belly where some bees have honeyed.
a few minutes later, the ants roam again—just as I now
roam, my legs walking me to places somebody forgot to draw
on the map. the ants on my inside now bite; they bite
everything that has a name till everything that has a name forgets
its name—what is grief if not the unbottling of hunger?—
 
I forget my name, too. & I forget from
where I began walking into this new life.

ABOUT THE AUTHOR

Ernest O. Ògúnyemí (b. 2000) is a writer from Nigeria. Some of his works have appeared/forthcoming in Acumen Poetry Journal, Ricochet Review, Litro Print Journal, Erotic Africa: The Sex Anthology, Lucent Dreaming, Low Light Magazine, Canvas Lit Journal, Agbowó, The Nigerian Poetry Anthology (Animal Heart Press), Polyphony Lit Mag, and elsewhere. A 2019 Adroit Summer Mentee, a 2019 COUNTERCLOCK Arts Collective Fellow, and a reader at Palette Poetry and a staff reader at COUNTERCLOCK Journal, he is curating the first Young African Poets Anthology, guest-edited by Nome Emeka Patrick and Itiola Jones. In 2019, he got a mini-grant to Kickstart a literary outfit dedicated solely to young African creatives. When he is not reading a book of short stories or watching the birds flying in the sky, dreaming, you can find him on Twitter @ErnestOgunyemi.

ODE TO OUR BODY ON FIRE by Anthony Okpunor

ODE TO OUR BODY ON FIRE by Anthony Okpunor

ODE TO OUR BODY ON FIRE

by Anthony Okpunor

Ode to Our Body on Fire – Winner of the 2019 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

Make me a night
I have not died in & let me see the way it burns.
Because this is life I have
envied everything with broken wings.
I’ve once envied my body. I do not remember how I got there.
I wake to rooms with chandeliers
but my God, I was born thirsty.
I am reminded of dust
three days before my body begins to grow.
I have outgrown the brown color of the earth.
These things mean I’m a little smaller,
my tongue blisters & there’s no city with water,
it is my silence you get to know.
Tell me, when you hear my heart beat,
how often do you stop yourself from dancing?
Does my pain still sour you?
What is dinner if we’ve not prayed over the heat?
I am unsure if the sea will hold me to my word,
my blood ties my body to this poem, in the mirror
a smile spreads to my forehead.
The smell of dust is things to come
written allover a body.
We are unlucky if our body does not burn
in the slow song of fireflies.
They will mistake our silence again.
We catch ourselves lusting in the flame.

ABOUT THE AUTHOR

Anthony Okpunor is an emerging Nigerian writer who discovered poetry and writing in general, as a better form of self-expression. He lives and writes from Asaba in Delta State. He is a student of the University of Benin at the time. He splits his time between writing, reading, lectures, good music, and himself. His works have appeared on online platforms including African Writers and Praxis Magazine.

THE DEFINITIVE TIME OF NOTHINGNESS by Sheikha A.

THE DEFINITIVE TIME OF NOTHINGNESS by Sheikha A.

THE DEFINITIVE TIME OF NOTHINGNESS

by Sheikha A. 

Her eyes are ponds rippling the moon;
snip in the air turning fade
and the confusion of a quarrel
with the deceased relative’s visit
in mother’s dream is grimier
than the clarity of murky water  
she saw centered in a ruinous court-
yard. It must have been the moon
had browned in the hide of a bear –
the tones of honey-hue yet majestic dusky;
she wasn’t able to tell one from the other
while we waited as a weightless voice
like in chants of allegiance, when a grave
is ordered to convert into a fruit-
bearing field. Mother’s mind is  
listening to winds; how fast metres
race when arrival collides with departure.
Of late, this is how it’s been. She gets
on her feet with a scrubber and can’t
decide what corner needs most
cleaning attention. Fabrics of chiffon
are the different ways she folds  
in decisiveness. We see her looking
outwards, towards the common  
man taking the bus to work, she  
sees his feet are steady even if his
heart has lost accountability of
the number of breaths he draws  
out of his veins, just to watch the day
successfully end without incident.
There is envy in that sort of timeliness;
predictability doesn’t have to be
a god, or human invention. And
we have seen many springs take
the stairs of summer to alter  
flashing lights into a comfortable
breach-birthed darkness. We are
here hanging like the first sign,
the kind that we miss because  
of speed, also cannot reverse to.
Mother knows from the circling
birds overhead, neon rains
are about to wet flamboyant  
paints of vitality.

 

ABOUT THE AUTHOR

Sheikha A. is from Pakistan and United Arab Emirates. Her works appear in a variety of literary venues, both print and online, including several anthologies by different presses. Recent publications are Strange Horizons, Pedestal Magazine, Atlantean Publishing, Alban Lake Publishing, and elsewhere. Her poetry has been translated into Spanish, Greek, Arabic, and Persian. She has also appeared in Epiphanies and Late Realizations of Love anthology that has been nominated for a Pulitzer. More about her can be found here
IF GOD WAS A NIGERIAN by Othuke Umukoro

IF GOD WAS A NIGERIAN by Othuke Umukoro

IF GOD WAS A NIGERIAN

by Othuke Umukoro

ASUU would strike him
till his sorrow grows a beard.

He would be a Yahoo boy or a pimp or a drug dealer
or an innocent girl in the cold & dark streets of
Italy tendering white men’s amorous dreams
or all of the above.

He would be a potbellied politician
that swallowed (y)our children’s future,
or a snake that swallows dollars
or a rat that chases the big man
out of his office.

They would have slaughtered him, like
Ramadan rams, in Benue or
bandaged him with bombs in Borno.

His children’s life expectancy in the
Niger Delta would be around
9 or 10 (that’s a conservative statistic)
—all they would ever have are: a bowl
of oil spills for breakfast, a plate of
greenhouse emissions for dinner
& grief sandwiched between.

He would drown crossing the
Mediterranean or sold for peanuts in Libya.

He would yelp & complain on the mad streets of twitter
but will never come out to vote out oppression.

The sun would die in his mouth in Kirikiri
or other eyeless places where those who try to
sing new songs are stripped, chained & tortured.

He would not be in school but on the sidewalk, holding a
blue plastic bowl for your damn pity or under the leprous
stare of the sun cleaning your windshield at a red light.

SARS would shoot him & the government hospital
they will rush him to will not have electricity.

He would be a broke ass poet like me.

ABOUT THE AUTHOR

Othuke Umukoro is a poet & playwright. His demons have appeared, or are forthcoming in The Sunlight Press, Brittle Paper, AfricanWriter, Eunoia Review & elsewhere. His debut play Mortuary Encounters (Swift publishers, 2019) is available here.
When bored, he watches Everybody Hates Chris. He is on Twitter: @othukeumukoro19

FLOWER PETALS by Ugochukwu Damian

FLOWER PETALS by Ugochukwu Damian

FLOWER PETALS

by Ugochukwu Damian

for ikedinaobi
your country is a hunger
that you cannot name
your bones are fragile
like flower petals
& there’s a river in your body
that you cannot name
& there’s a country emptying this river
into itself
where queer bodies drown last
after drowning in their bodies

ABOUT THE AUTHOR

Ugochukwu Damian Okpara is a poet and a medical student based in Nigeria. He began writing poetry in 2017 and his major theme explores depression, loneliness, and sexuality. His goal is to inspire those who have been hurt, making them realise that the light at the end of the tunnel is not an illusion. He was one of the 21 mentees in the second cohort of the SLM Mentorship programme. His poems have appeared in Woven Words, African writer, Kreative Diadem and elsewhere.
SELF by Adejuwon Gbalajobi

SELF by Adejuwon Gbalajobi

SELF

by Adejuwon Gbalajobi

I wear my fear around my neck like a tie,
my fear, the reason my sleep comes in fits.
& anytime I close my eyes,
my demon transmogrifies into thoughts, an accuser,
a finger pointed at me:
“You, you’ll be like your father, a waste.”
“You, you son of a beast!”

 

2:00 am,
I saw my demon clearer today,
he has flaccid ears, a squared nose, a red carpet for hairs; 
it has my face & my mother’s voice,
“You! I curse my womb for having you!”
2:30 am
I woke up drenched in my sweat,
picked up my phone,
opened my writing app &
finished this poem.

ABOUT THE AUTHOR

Adejuwon Gbalajobi is a Nigerian poet and creative writer. He writes to explore every sphere of human consciousness.
His poems have appeared on Praxis magazine, Writer Space Africa and Okada blog. He is a lover of tigers, trees, paintings, and sculptures.
 

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