“Every good work inspires me” – Interview with Chizoma Emeka Joshua

“Every good work inspires me” – Interview with Chizoma Emeka Joshua

TABLE TALK

“Every good work inspires me” – Interview with Chizoma Emeka Joshua

This year marks the third edition of Kreative Diadem Annual Creative Writing Contest and we are super pumped to have a one-on-one chat with the winner of the second edition in the flash fiction category, Chizoma Emeka Joshua.
In 2019, Chizoma was longlisted for the Syncity Anniversary Award, shortlisted for the Zi Prize and finished as the third runner-up in the Sevhage Literary Awards in the short story category. 
In this enthralling interview, Chizoma opens up on his love for storytelling, his reaction to winning the Kreative Diadem contest last year with his epic story, “The House Called Joy”, and his struggle with procrastination.
Enjoy.

Kreative Diadem: Who is Chizoma Emeka Joshua? Let’s meet you!

Chizoma: Hello, I am a fourth-year Law student at the University of Nigeria. I love reading and writing short stories. I am a believer.

Chizoma Emeka Joshua

Winner of the 2018 Kreative Diadem Annual Creative Writing Content (Flash Fiction Category)

KD: When did you first discover your passion for storytelling/writing? What inspired you?

Chizoma: I’m not sure there was an ‘it’ moment when I discovered I loved writing. It was just a necessary fallout (as I think it should be) of my love for reading. As long I can remember I have always loved to read. And I did read a lot growing up because that was my favorite past time. Reading helped me develop a vivid imagination and generated the longing to create something as beautiful as what I read. The desire to contribute to the body of work that currently exists in the world spurred the desire to write. I did actually finish my first short story in 2015.
 

KD: What are some of the challenges you face as a writer? What steps do you take to overcome them?

Chizoma: Procrastination. I put off writing so much sometimes that I lag behind eventually. Sometimes I have two or three stories on my laptop unfinished. There is also the problem of the lack of time. I am a student and with the amount of school work I have, I often do not have the time to devote to writing. It often happens that the times when I manage to overcome procrastination or have some free time I cannot write because the inspiration would be absent.
As a remedy, I try to schedule writing into my plans. I make conscious efforts to see that I write periodically, as often as I can. I sometimes set targets for myself. And of course, competitions also help because they give me a deadline to work towards. Sadly, it is often not enough.

KD: Who are some literary figures that inspire you/you look up to?

Chizoma: I’d like to borrow loosely from what Ologunro said last year to the effect that I am a big fan of any splendidly written work as opposed to being a fan of specific writers. In that sense, I guess my respect goes to the work first, and only spills over to the writer. Every good work inspires me, and there are a lot of them out there. 

” To be less hard on themselves. To savor writing first for the sake of writing despite the awards and competitions because it is the only way to survive in this highly competitive sphere. To make friends with their peers first, and then seek mentors. “

Chizoma Emeka Joshua

Winner of the 2018 Kreative Diadem Annual Creative Writing Content (Flash Fiction Category)

KD: In 2018, you won first prize in the flash fiction category of Kreative Diadem’s annual writing contest. How did you feel about winning?

Chizoma: Consumed.
It did not seem real for a long time because it all happened so fast. There wasn’t a long list and the space between the shortlist and the announcement wasn’t very long so I didn’t even have the time to process the shortlisting before I got to know I won. Afterward, I felt a mixture of elation and immense pride. It was one of the highlights of my 2018.

KD: Let’s get down to your flash fiction. What was the inspiration behind The House Called Joy? Was there a specific message you intended to pass along to your readers?

Chizoma: I seldom write with the intention of passing any specific message. I just put the stories out there as they come. I grew up in Aba and I always heard of girls who fell pregnant and disappeared and then appeared months later without any babies. It was always hush hush of course. “The House Called Joy” is based on one such story. I remember that the first line to the story kept ringing in my head for weeks and I knew I had to write that story down. Most parts are fiction, but the others are true too.

KD: Apart from winning first prize in the flash fiction contest in 2018, what are some of your other achievements? (Awards, nominations, published works, etc?)

Chizoma: This year I’ve been published on Afreada. I was longlisted for the Syncity Anniversary award and shortlisted for the Zi prize. I also finished third runner up for the Sevhage Literary awards in the short story category.

KD: What are some of your long-term goals as a writer?

Chizoma: I can’t see beyond the immediate future right now regarding my writing. And I guess that is sad, but that is a sadness I can live with, that I have chosen to live with. I do know I will be writing, definitely. This is because of how intimately writing is tied to my person but I doubt if I will ever go beyond that say like publish a book or a collection of short stories. I do have intentions of going into the professional world and I do know that writing (deserves) requires all the time you have. I do think it is possible to combine them both and be excellent at them, however, that is a burden I’m not sure I am willing to take. Of course, I will always be with my first love, reading.

KD: Are you currently working on any books now?

Chizoma: No, unfortunately 

KD: What advice would you give to young writers like yourself, especially in Nigeria?

Chizoma: To be less hard on themselves. To savor writing first for the sake of writing despite the awards and competitions because it is the only way to survive in this highly competitive sphere. To make friends with their peers first, and then seek mentors. To always measure their accomplishments commensurate to how much they know, how much they have experienced and the knowledge available to them. Chances are that if you are diligent then you are right where you are supposed to be. It may not feel like it but that is the truth.

KD: What do you think about Kreative Diadem?

Chizoma: I think you guys are doing a great job. The consistency is also heartwarming. This is one of the (few) spaces that provide incentives for young people to keep on writing.

KD: Any final words?

Chizoma: I’d like to say a very big thank you to Kreative Diadem. For being patient through this entire process and for having me. Cheers to greater strides!

Winners of the 2018 Kreative Diadem Annual Creative Writing Contest

Winners of the 2018 Kreative Diadem Annual Creative Writing Contest

Winners of the 2018 Kreative Diadem Annual Creative Writing Contest

We are pleased to announce the winners of the 2018 Kreative Diadem Creative Writing Contest.

Poetry Category

 
Honourable mentions:
 
“The city is my family” by Michael Ifeanyi Akuchie
“What to imagine” by Yusuff Uthman Adekola
 

 

Flash Fiction Category

 
Honourable mentions:
 
“The step breaks your confidence” by Ezinne Okeke
“Souls and Smoke” by Justin Clement

 

Congratulations to the winners!
We had intended to release a list of ten longlisted writers in each genre; however, many of the entries were of poor quality. We look forward to receiving better entries next year.

Winning entries for flash fiction were chosen by TJ Benson, author of ‘We Won’t Fade into Darkness’ (Parresia 2018). The winning poems were selected by Wale Owoade, poet and founding editor of Expound Magazine.

Regarding the flash fiction entries, TJ Benson writes:
“I was looking for fresh stories, stories that were hidden in plain sight every day, remarkable but abandoned. However, the poor writing floored me. So, I decided I would make do with coherence of thought. In that sense, ‘The House Called Joy’ is the most ‘complete’ story.  ‘Souls and smoke’ has a lot of vivid imageries, but the writing wasn’t honest enough, especially the perspective of a suicide bomber’s family. I was lost halfway.
Also, I sought innovation in prose. Chizoma invites you, in his writing, to watch him try to contain a self in a diagnosis and fail. This is true of human life. There is an almost unaware virtuosity in how he links random elements observed by “you”, his first-person singular narrator: ‘…a woman leaning in towards you over the counter to hand you crisp notes, her hair smelling of talcum powder, a baby turning to flash you a dazzling smile right before you do the sign of the cross in church, a newscaster saying that the price of pampers had risen.’”

 

Regarding the poetry entries, Wale Owoade writes:
“The entries are ambitious for an under 21-year old poetry competition. The five shortlisted poets were primarily selected based on their use of imageries and how their techniques connect the reader’s senses to their subjects and objects, a quality that sets them apart from other entrants. However, the winning poems were selected based on the clarity of their expression and poets’ diction. CJ Onyedikachi’s winning poem is a brilliant piece of art, his engaging imageries and contextual diction demonstrate his staunch dedication to his craft. Altogether, most of the entrants to this year’s prize only need a few editorial guidance to write the next best poems from Nigeria. It will be amazing if my contemporaries could create a little time to offer critical guidance and editorial mentorship to younger writers.”
We wish to express our gratitude to our sponsors, the judges, and all the writers who participated in this year’s contest.
The annual contest aims to recognize the best writings from Nigerian writers age 21 and below. The maiden edition which held in 2017 was judged by Sueddie Vershima Agema (Flash Fiction) and Okwudili Nebeolisa (Poetry).

THE HOUSE CALLED JOY by Chizoma Emeka Joshua

THE HOUSE CALLED JOY by Chizoma Emeka Joshua

THE HOUSE CALLED JOY

by Chizoma Emeka Joshua

The house called joy – Winner of the 2018 Kreative Diadem Annual Creative Writing Contest (Flash Fiction Category)

What you have has a name.

You are sure if you entered a bus from your house at Ajah and stopped at the general hospital at Obalenede, if you let the doctors there run their tests and flip through their big books, they’d find a suitable title for what ails you. But you would not. Because you have learnt that when a man gives a disease a name, he breathes life into it and lends it the ability to become a thing that could be like him. Or become him. You are afraid that in your case, this now named thing would cling to you, move into your flat, try on your new shoes, and begin to go with you to the bank where you work as a cashier. It would become as conspicuous as the yellow dress you wear to work on Fridays and everybody would notice and point and laugh.

You are afraid that if you name it, you would acknowledge that maybe you are a broken piece of pottery that needs fixing.
You do not remember when it started. Yours is a relationship whose beginning has no footprints, and you have gotten used to this lack of history like you would an annoying sibling. What you do now is prepare for the red flags, the little incidences that set you off: a woman leaning in towards you over the counter to hand you crisp notes, her hair smelling of talcum powder, a baby turning to flash you a dazzling smile right before you do the sign of the cross in church, a newscaster saying that the price of pampers had risen.

 

At one point you had taken the symptoms to Google. Google was better than doctors. Less intrusive. It did not ask if your family had a history of mental illness or whether you had been under a lot of stress lately (Both useless questions because doctors were always embarrassed to ask the former, and the latter was just plain silly, I mean, what banker is not under a lot of stress daily?)

But Google provided no solution. Perhaps the problem had been with how you typed the question. In the search area you had written:

1: is sadness a person?
2: what condition is it that makes one feel like oceans are threatening to spill through her mouth whenever she is alone? 

For a long time after Google had spewed articles about ocean animals that left you the more confused you had sat staring at your laptop screen, wondering if perhaps Google was not as smart as people gave it credit for.

With time, you teach yourself to manage the storm. At nights when you feel most vulnerable, when the minions carry out their onslaught and there isn’t the armour of work to keep you safe, you whisper affirmations to yourself. You are a Christian so it is easy for you to pick from the armload of cheesy statements that fill the Bible. Your favorite is from Ecclesiastes 9: 4 – a living dog is better than a dead lion. You like how you think yourself as the dog, you don’t know who the dead lion is. You would chant the verse like a prayer, wield it like a sword, till you emerge on the other side, victorious.

Other times what you mutter is the twenty-third psalm. You repeat the words over and over again, hugging your knees, your back against the wall. You repeat it till you actually find yourself beside still waters and smell the freshness of the rivers on your skin.

But there are nights this storm would refuse to be caged. It will hit against your barriers with such intensity that your affirmations would be ill-prepared to stop it. Nights when you lie awake in the spare bedroom because you got into one of your frequent fights with your neighbor who had then hurled her insult of choice: barren woman, and you needed a safe place to hide from your shame. Or the nights when your husband had used his fist to communicate his rage at your childlessness or any other of his many problems that he thinks you are the cause of. Those nights, you do not give affirmations, because words would not do. You rather reach into the recesses of your mind to that sunny place where you store happy memories. You flip through the pages: your graduation from primary school, that time you had an A in government, the time that boy in the choir smiled at you, you skip all these pages and rest on a particular one.

In it you are sixteen: too young to be carrying dead dreams around but not too old to receive seed from a man, nourish it and present him a flower.

You are lying on a hospital bed. You are tired.  There is a hand in yours. Smooth, little hands. Baby hands. They are the reason that even though you feel sharp pains in between your legs from where you had just pushed out another human, you are content, proud of yourself. On your lips is the taste of joy, and it takes like nothing you’ve ever had before. It is foreign in the way a lot of things are foreign to you. You would nibble at it. Careful not to gobble it up, so there’d be some for next time.

It is this joy that you visit. The feeling you felt in that moment. It is a safe harbor where physical pains cannot break through. Where raging storms cannot reach across to place their hands on your heart. Where you feel most worthy of things you do not deserve. In that house called joy, you are everything, and everything is you.

Those nights, you are also careful not to go beyond this point. Because past it, there is another picture of you. In that one, you are two years away from sixteen. Your parents are standing behind you, a scowl on their faces. The camera clicks shut as you are handing your baby to a man who in return hands you an envelope within which you would find, over the course of 8 years, a university degree, a job at a bank and a flat where you lie on cold nights with an aching heart  and a resentful husband to keep you company.

What you have has a name.
Sorrow, loss, the aftertaste of longing you have on your tongue. These are not what your doctors would call them. These aren’t the names of sicknesses. You are afraid that if you submit to the doctors that they would flip through their big books and actually find a title for what ails you; a different name from the ones you have chosen. Then you would no longer be in doubt that you are unhinged. Next the doctors would then try to find a cure, because that is what they do – find a cure for every sickness. You do not want to heal. You like sorrow’s company. It is your penance.  You like looking out from your glass house to see the storms billowing, knowing that there is the possibility that one day it would drown you in it.
ANEESAH by Sobur Olalekan

ANEESAH by Sobur Olalekan

ANEESAH

by Sobur Olalekan

Aneesah – Second Runner-up of the 2018 Kreative Diadem Annual Creative Writing Contest (Flash Fiction Category)

When I had my first daughter, I saw Aneesah in my sleep for seven days.

Sometimes she was a child of six or seven, fashionably dressed in a pink gown that stopped at her knees and gave way to a pair of black leggings.  For her wrists, there were always a plastic bracelet and a pink watch. In the last image of her that’s left in my memory of her childhood, of our childhood together, she wore that same gown, she wore the watch and the bracelet. I remember. It was at an international airport and only a pair of toy glasses that made me laugh so hard at her were missing in the dreams. Sometimes she appeared as an adult, as the beautiful adult I had only seen on Facebook. And because she always stood in total silence, her sad brown eyes staring at me with an unblinking stare while her eyebrows slowly reddened until the they became like a lump of solid blood, both of her appearances were equally scary.

Both of her appearances – as a child and as a beautiful grown lady – made me break out in sweat and on waking up, drained of all energy. Both of them made my fingers tremble so fast I had to muster all the energy left in me, ball them into a fist, sob uncontrollably into the pillow, and wait for my late father’s voice saying “The greatest sin in this world is the theft of all things that cannot be returned. A man’s life, his honor. Anything that cannot be returned.”  

I stole things that cannot be returned. Her name was Aneesah. I was nine, she was four. Then, ten and she was five. Then I was eleven and she was standing with me, her mum and my parents at the departure longue of an airport, holding her mum’s hand – my aunt – while she laughed and said to me “Baba Aneesah. Aneesah doesn’t want to leave you. Thanks for being a good cousin to her. I hope we can always visit Nigeria. We’ll miss you.”  

The therapist watched me as I sobbed into my hands and choked on my words. She waited patiently through the silences that came between my words, silences cold and hollow, dense with a special kind of guilt, of shame. Silence, icy cold and heavy against my chest, in my lungs, on my tongue. Silence like a cloud filled with rain that never fell. Sometimes, the psychiatrist asked a question or two, carefully, and I had to ask myself in my own words, to feel the trembling of my voice as I scavenged tiny moments from my memories to find answers.

When I learnt that what I was doing was wrong? When did this guilt start?  Had I seen her in a dream before I had my daughter? I didn’t know it was wrong, or didn’t have time or a reason to think about it until the guilt started, until I saw her again ten years after she left. I saw her on Facebook, and by the time I saw the third picture, I couldn’t look any further. In the following days, the shame washed over me like some warm sticky liquid – it still does. Some days, I can feel the guilt rising from me, like steam, and forming a cloud around me. A cloud I can never find my way through. This is the first time I would see her in a dream.

Sometimes she nodded – the therapist – said I didn’t deserve the shame, I didn’t deserve the guilt tormenting me, I was only a child, but I was sure she didn’t believe herself. That was only what therapists are supposed to say. I thought about all the sexual abuse victims who would have sat on the seat I was occupying and now, here was the kind of human who caused their suffering. I searched behind her glasses and I thought I saw hatred, disgust. I think I saw what I expected to see. She finished “You’ve been this way for five years. I do not think you can possibly forget this part of your childhood anymore. This would take a lot of courage, but I think, at this point, that you need to see her and talk to her. It could help you. It is evident you can’t forget.”
I do not want to forget.

 

 

I saw Aneesah for three days after I saw the therapist. And in those three days, after I had woken up and finished sobbing silently into the pillow, I remembered the therapist’s words and planned my escape. I would write a book. I didn’t know about what, or how I would, but it would be for children. For children who would not have known what abuse was until they had their daughters, until they had their guilt, had their own dreams like mine. Then I would call Aneesah. I would tell her I needed to talk. I would still my body for whatever came after then.

On the eighth day, I held my daughter and brought her to my chest, sobbed silently into her shawl and gave her my cousin’s name. I called her Aneesah, and repeated my final words to the psychiatrist: I do not want to forget.

GIRLS LIKE YOU HAVE NO HISTORY by Angel Nwobodo

GIRLS LIKE YOU HAVE NO HISTORY by Angel Nwobodo

GIRLS LIKE YOU HAVE NO HISTORY

by Angel Nwobodo

Girls like you have no history – Second Runner-up of the 2018 Kreative Diadem Annual Creative Writing Contest (Poetry Category)

i
Women like us carry shame in our names – mother.

ii
Your mother shows you pictures of her – the honey-gold beauty that is her skin, the thick docility tucked in her small body and your Father’s gaze lost in the fiery brown pits that are her eyes. You trace the line where their hands fold into each other, their bodies enclosed in a familiarity that confuses you, bewilders you. Your Father whispers something in her ear and she lets out a shy, mechanic laughter, something that rings in your ears later because you keep comparing it with the unrestrained summer that is your mother’s. Your mother sticks a knife where her mouth opens and you know she is carving a home for silence.

 

You see the next picture as you head to her shop at the mall, the one Father pays for each month with a cheque addressed to the manager, the one she pays for with his cooked meals and his starched suits and her wild-summer laughter behind closed doors. You see them with little moving pictures of themselves, three little boys with her honey-gold skin and her fiery brown eyes and your mother looks at you with regret because the image stuck to your body has no claim of her, you are all your Father.
This is the new woman in our lives, Ada. This is the solid proof of my shame.
Her voice is a deep shade of sorrow and you realize she has lost this war even before it started.

iii
You will learn that girls with no homes tucked beneath their skin are like birds who never learnt to weave nests. You will learn it from your Father and you will learn it from your mother. You will remember this on days you crave for the laughter in your father’s voice and find nothing but empty memories.

 

You will learn that the truth changes nothing- each day your mother will appear with his cooked meals and his starched suits and a smile on her face like old paint peeling from walls because any fire can be quenched by the silence of a man’s face.

You will learn that you can surrender your consciousness for the taste of a man’s mouth, for the feeling that loving gives you, like your mother did.

You will realize that girls like you were not made to find love, that they are like ghosts, looking for love and for names and for histories in strange faces just to come to life. That your mother was one of these girls. That like you, she has no claim over your Father. That like you, she was only meant to fit her body in small spaces of light to get rid of her own darkness.

You will realize then, with grief so palpable your chest splits in two, you are the echo of your mother’s shame.

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