FOR THE FIRST LOSS OF INNOCENCE by Adedamola Olabimpe

FOR THE FIRST LOSS OF INNOCENCE by Adedamola Olabimpe

Two young black lovers hugging

FOR THE FIRST LOSS OF INNOCENCE

by Adedamola Olabimpe

your first kiss was a crime scene.

stolen from you in the darkness of your

mother’s kitchen.

it slid down your throat & started

 

the spark that turned you into the wildfire of a human.

your first kiss stolen from you

in the darkness of your mother’s kitchen.

a loss.

a funeral with only your 14-year-old self

& a mute god in attendance.

you wore nothing.

 

your first kiss slid down your throat,

hot & ready to consume.

insides turning to ash. unfamiliar desires

travelling through your senses & finding home

in the space between your thighs.

 

your first kiss was not your first kiss

but your second.

this kiss was a sin & this man forgot what a

child was.

fanning out flames with his head buried

in between your chest.

you remember his smell & how it corrupted

everything.

tainted nights. coloured thoughts.

look at you, child. the antithesis of purity.

ABOUT THE AUTHOR

Olabimpe is a lover of white bread who almost always has their earphones in. They have works published in Ngiga Review, Sub-Saharan Magazine, Anti-Heroin Chic, Visual Verse and others. You can find them on Instagram @borednigeriangirl and on Twitter @lilbrowneyedfae. 

PORTRAIT OF LOVE AS AN ARSONIST by Oluwatosin Babatunde-Olotu

PORTRAIT OF LOVE AS AN ARSONIST by Oluwatosin Babatunde-Olotu

PORTRAIT OF LOVE AS AN ARSONIST

by Oluwatosin Babatunde-Olotu

I
I was eight or nine
when I learnt to balance  my gaze
and heart
      on broken bodies and dreams.
Each time father returned from another fruitless journey
to Egbeda in Ibadan, he’d mouth denial
as if they were truths.
He’d say:
Bidemi is fine, she’d return home soon.
She’d come back to me, to us.

 

II
The truth crawls in unseen:
at dinner, as we fellowshipped
with Celine Dion and loss,
I’d taste the grief     brimming in his bones
in my bowl of eba
and my vegetable soup, too, would tell
tales of ends;
of fractured lovers that never find their way
to genesis, to tomorrow.
After dinner, before we find sleep,
I would wipe from his cheeks and chin
saltwater (that burned as though it were fire),
as he too would     from mine.

 

ABOUT THE AUTHOR

Babatunde-Olotu Olúwatosin is a nurse and a poet who lives and works in Lagos. He is a lover of art, with a peculiar interest in poetry and music. Tosin advocates for social justice, inclusivity and mental health. His poems have appeared in Agbowó, Nanty greens, anthologies and elsewhere. On Twitter and Instagram, he is @babstoxyn.
THE SCREAMS IN THE SILENCE by Samuel Oladele

THE SCREAMS IN THE SILENCE by Samuel Oladele

THE SCREAMS IN THE SILENCE 

by Samuel Oladele

The get-together venue was two-hundred kilometers away. Slouched in the front passenger seat in Michael’s Audi, I pictured my obituary glued on every wall in my street. GONE TOO SOON. Perhaps I was seconds to my obituary with that cigarette smoke curling out of Michael’s mouth?

I gawked at him. Cigarette hanging between his lips, his cheeks sucked in. A gush of camphor-white smoke surged towards the windscreen—the smoke drifting towards me. I held my breath, watched it dance out the window. One, two, …, seven, I started counting until all of it was out the window, and, open-mouthed, I inhaled, the car air safe again.

“Remember I’m allergic to smoke,” I wanted to say, but he knew already—no need reminding him. I wasn’t ready to deny a man his latitude to smoke in his car. If he tossed out the cigarette after telling him, it would be because he pitied me. I never wanted pity. I’d rather die than be pitied. But I wasn’t ready to die.

I had people I loved too much, people who would starve themselves for months if I were dead. My girlfriend would surely have a heart attack and, for a year, cry herself to sleep. She would even die single. Our relationship was five years old. Letting go would be like cracking rock with one’s head. And Rebecca, my younger sister, would be left alone in this world. I was her only living family.

I was not ready to die. I yearned for a family, kids I’d watch cartoons with and watch grow, a wife I’d cuddle at night and share aspirations with. Until I achieved these, I was going nowhere.

 

“Tunde. Sir, T.” Michael darted me a glance. “You’re still that guy, that I-don’t-talk-much guy.”

I nodded and faked a tight-lipped smile.

He took the cigarette from his mouth. Out of the window went a dense smoke. “Anyone you can’t wait to see at the get-together? All those our babes have grown now… and married. Perhaps we can hook up with the singles.”

“No.”

“You and this your Reverend-Father-boring-attitude. I hope you don’t die like this.” He chuckled.

He turned up the car radio volume, and a rap song blared out. He rocked his head back and forth, gibberish pouring out of his mouth. Not once had I heard him rap—he was a good singer, yes, but not a rapper—in the three years, we shared a bunk in boarding school. But a lot had changed within the six years we had graduated from secondary school. Even smoking was new. His dark cracked lips too.

I edged my face toward the car door, breathing harmless air, eyes on the leafless trees sprinting backward, their leaves sprawling dry below them.

 

There were moments I had wanted death to swallow me. Moments I wished I had been nonexistent. But not this moment. This sad, sucrose-sweet life had cut me a thousand times. And more. I was never a happy person. Perhaps neither a happy baby too. My childhood was terrible, chunks of solitude and rejections here and there. On many occasions, my dad, a drunk, said to me, “I never asked for this,”—pointing at me—”but you came… with your sickness. Had to marry because you were growing in your mother.”

Once, my mum left me at a supermarket. She came back three hours later, said she was having a bad day. My mum was a sad woman. I must have inherited her sadness. The only time she was happy was when her only friend, Mrs. Ibrahim, this chubby woman who cried when she laughed, visited.

My parents were always traveling. Lagos today. Abuja tomorrow. When they were at home, they quarrelled a lot, Mum raining curses on him or throwing her high-heels at him, Dad calling her a prostitute. Because they were always fighting, the four of us were never in the same place. Either Rebecca, Mum and I, or Rebecca, Dad and I. Never the four of us. Mum took us to church on Sundays, the fun park on Christmas, Mr. Biggs on our birthdays, and Dad drove us to school.

I always prayed they leave the house so that it could be peaceful. But it was never peaceful, never felt like home. When they weren’t home, miss Seyi, the house help, took care of us. She was a small woman with a temper that broke into yells and insults if we went outside to play, or asked her to change the TV channel to a cartoon channel, and if she was having a bad day, she lashed our buttocks with her whip.

Only my room gave me peace. So I was always there, shunning the world sliding by outside my bedroom, studying my school books, reading Charles Dickens and J.D. Salinger, tucking away the rest of my childhood from my parents’ rejection, from their quarrels, from Seyi’s yells and whip.

 

The Audi slowed. The butt of a fresh cigarette was between Michael’s lips, lighter lighting the other end. Smoke spurted out. Cars dashed past us, vanishing beyond the horizon, where the sky rose into a stretch of blue and scattered clouds. A puff of smoke sailed towards me.

My silence scared me, for it would kill me. Like several occasions, I had chosen silence again. In boarding school, I once sat in class and watched three girls, who were my classmates, slap Rebecca. She was heading into my class to see me when one of the three girls standing by the door grabbed her wrist.

Couldn’t she greet? They asked her. And before she could answer them, each of their palms slammed against her cheek. Rebecca staggered, then held the door, before scurrying away. I wanted to stand up. I wanted to yell at those girls, but this was a boarding school. If I did, Rebecca would become a target. So I remained on my seat, updating my geography note.

Two days later, she grabbed my wrist as I was walking out of the dining hall. On her wrist was a small bandage. Those same girls had told her to frog-jump in the girls’ hostel, she said, and when she refused, they broke a tree branch and flogged her. She stared at me, perhaps waiting for me to act like a big brother to defend her.

“Sorry,” I said. “I will talk to them.”

But I never did. Rebecca kept telling me how they snatched her provisions, how they whipped her bareback, how they cursed her, yet I did nothing. My inaction vexed her. For a whole session, she shunned me. And gradually, we became strangers. Strangers tied by blood.

Another of my not-speaking-up moment occurred one August afternoon, a year ago, in the market. I was buying some foodstuffs. About three open-fronted shops from me, a lanky man in babariga stood behind a young lady checking out bunches of plantain to buy. The man peeped around, snatched a brown purse out of the young lady’s handbag, and trotted away. Thief, I wanted to scream. I wanted to run after him, to grab his neck, to wrestle him to the ground. I wanted to be a hero. But I was not a hero. What strength did I have? What if he had a knife in his babariga? What if he stabbed me as I’d try to grab him? What if… So I stood there instead, looking like a rabbit. Minutes later, the young lady fumbled through her handbag and scattered everything in it on the ground, searching for her purse.

 

Of all the times I had not spoken up, someone should have strangled me for this one. It happened two years ago after my parents passed away. The loss was hard on Rebecca, for she had forgiven them of their neglect. She was always at home on weekends, playing chess with Dad and cooking with Mum. She sent me pictures—she and Dad, cheek to cheek, a chessboard on a glass stool in the background; she and Mum in the kitchen, open-lipped smiles across their faces—thinking I would also forgive them and come home. She never stopped sending me pictures until they died in their house after a fire accident. I should have been there for her after their death. Perhaps if I had, she wouldn’t have attempted suicide. Thank God she survived.

 

There I was still sitting next to Michael, next to his cigarette smoke. I edged my face away from the car door and faced him. The aftermath of Rebecca’s suicide attempt invaded my mind again: how pale and gaunt and tearful she was when she told me she never wanted to lose me. I never wanted to lose her too. I had to speak up. I faced Michael.

“Michael,” I said.

He turned and blew a dense smoke toward me. The smoke curled into my nostrils, into my mouth, went through my airways. He was befouling my airways. I clutched my chest. I was drowning inside.

Air. I needed air. I started coughing. Wheezing. I fumbled for my inhaler in my jeans pocket. I pulled out. With trembling hands, I uncorked it, pushed it into my mouth. Thrice I pressed. Salbutamol flooded my mouth. I pressed thrice again—another flood of Salbutamol. I was still wheezing and still trembling.

Michael was talking, but I couldn’t hear him. I pressed the inhaler thrice again. Pain surged through my chest. Weakness quaked the whole of me. The inhaler fell. Michael held my wrist, and the feeling of his cold palm dwindled. The world around me dimmed, then blurred. Light petered out. The world vanished.

I woke up later to pairs of worried-looking eyes hovering over me at the roadside. The air was warm in my nostrils.

“Give him space! He’s awake!” Micheal was on his knees, his palm under my head. He held my arm, and I staggered to my feet.

Still feeble, I averted the strange eyes, my back to everyone. Michael thanked everyone as they went back into their cars, before leading me into the Audi, walked to the driver’s car door and climbed in.

“Why didn’t you tell me?” He fastened his seat belt.

“But, you already know.”

“I forgot. You should have reminded me.”

I stared at my phone and double-clicked the screen. The screen lighted up—no mobile signal.

“I’m sorry,” he said.

He pushed the car key into the ignition, started the engine, which roared to life. We continued on our journey.

The Audi was now speeding like a hurricane wind, the trees moonwalking. Sun rays streamed into the car. The car air was now fresh and nontoxic, though the stench of cigarettes was still present.

Michael kept apologizing. He kept darting me, sorry looks, those looks I loathed.

ABOUT THE AUTHOR

Samuel Oladele, an Applied chemist, graduated from Usmanu Danfodiyo University, Sokoto. His fiction has appeared on Virtual Zone Magazine.
THE WONDERS OF IKOGOSI by Adedayo Ademokoya

THE WONDERS OF IKOGOSI by Adedayo Ademokoya

THE WONDERS OF IKOGOSI

by Adedayo Ademokoya

THE WONDERS OF IKOGOSI (For Olaitan Victor)
There they sat, feeling
the living spring that compresses
the fusion of their hearts on the emblem
of gold.
The warm spring
came flowing through the nirvana
of her soul to rev up the rattling
imaginations. Chasm couldn’t
stop the flow.
The cold spring ooze fresh air
simmering passion for the flesh.
The decibels of the heart contorted
to the strong wave. The once
impervious spring conflagrate to
infuse itself to the waiting warm
spring.

 

 

They met at a confluence of silence
congruent desires glued them
to be inseparable
That touch was the coup de grâce
to bring down resistance in a haste

 

 

Yes, it was all but blessings of nature
to etch on the soul forever the burning
flame of them.

 

 

ABOUT THE AUTHOR

Adedayo Ademokoya writes to resonate with his inner self. He believes that words shapen the world. When he is not writing, he’s reading or surfing the internet. His works have appeared on Brave Arts Africa, Praxis Magazine, Thought Catalog, The Rising Phoenix Review, Wild Word, Ethos Literary Journal, Indian Periodical, African Writer, Pride Magazine, Tuck Magazine, Parousia Magazine, and other platforms.
JOG IN THE RAIN by Carl Terver

JOG IN THE RAIN by Carl Terver

JOG IN THE RAIN

by Carl Terver

She saw the new pair of trainers in the cupboard, fine white things wrapped in a transparent bag. Only, the size was smaller. She knew Dami jogged every morning because she had been waking up beside him these days.

Dami was a quiet guy, in a way any hermit would covet. He smiled gently and walked as if his heels avoided the ground. Nobody knew what he did save that he jogged every morning.

‘Maybe you should jog to Lagos one of these days,’ she said to him when he returned from one of his jogging adventures in the morning, while she gave him a glass of water. As he gulped the liquid his eyes fell on her belly whose bulge, which he expected to see, was not showing. ‘I would,’ he answered.

She kept a journal since she moved in with him because she knew her life had changed. She had fallen in love with him and now was out of school because of the baby. She had to write down the things noteworthy of this change, like the uncanniness of her lover whom she knew only a pinch of; the man she’d spend the rest of her life with, maybe.

There was little conversation that went on between the two of them. With someone like Dami, it was hard to start one. When she’d left her father’s house for his place, she’d expected to meet him very unsettled, but he wasn’t. He’d simply asked, ‘You’re pregnant?’ looking at the luggage she carried. ‘Yes,’ she had nodded.

‘How do you feel’ he asked.
‘Fine. Okay.’
He sat on the arm of a cushion, perspiration all over him. A collection of poetry was on the table. ‘You’re reading poetry?’ he asked.
‘Yes, I found it.’ She didn’t want him to take her up on it. Before now she’d only known poetry as a form of art, especially inspired by love.
‘You know, there’re some poems marked there. There’s this particular one.’

She met him at an art exhibition. She’d seen the flyer for the exhibition on Instagram. The venue was close to her house. She was more curious than interested; art had nothing on her. The only thing she knew closest to art was her little brother’s pencil drawings.
‘It’s called abstract painting,’ he had said to her when he noticed the painting’s magnetic effect on her.
‘I wouldn’t know,’ she had responded, turning to the voice that had interrupted her sudden affinity to colours on canvas. And something had buckled inside her. He was saying something about the painting, how the kind was done to make humans see beyond the ordinary …
‘It’s transcendent,’ she finally said.
They both shook hands and talked for a while. She had wanted the painting but couldn’t afford it. ‘You can have it,’ he’d said to her.
‘Thank you,’ she said, repeatedly, till the moment the painting was packaged and given to her. Even as she collected it, she curtsied still saying, ‘Thank you.’
The following days it was the word ‘transcendent’, and not her gratitude, that Dami remembered like the tune of a naughty song you kept humming because you woke up with it on your lips.

 ‘… ‘The Good Morrow’. Have you read it?’ he continued.
‘No,’ she said.
‘You should,’ he said, too.
She was quiet as she sat on another cushion. The conversation had yielded things to write down in her diary.
The room was big, deliberately so. It was both bedroom and living room without demarcation. There was a bed at the far end by the windows. There was the wardrobe. Everything in its place. Small stools, a study corner with a table lamp, a miniature shelf (he wasn’t a heavy reader), and other hardware.
‘It’s a big compound . . . Where is everybody?’ she asked.
He started joltingly, then recollected himself. She hadn’t seen it, he thought.
‘In Canada.’
It wasn’t enough. Her brows went up.
So, he continued. “My father used to, well, still works with this manufacturer. He had a big promotion. He took everybody…’
‘Except you,’ she finished.
‘I was in the Navy. I could have followed them then, but I had other plans.’
‘What plans?’ she asked.
‘Well, I calculated. After ten years I could resign from the Navy with a pension, and I would have the house. Just me. Alone.’
Then, she wondered if she had intruded on his aloneness. Her eyes were focused on a point on the wall. She followed his conversation, but his voice came to her from the point on the wall.
‘Did you see it?’ he asked.
‘The trainers?’ she thought, saying.

They walked past the area in front of the porch of the house. The front door to the house was locked. And she commented, ‘I was looking around. It’s like every other part of the house is locked.’
‘I think so,’ he replied.
The ground of the compound was filled with gravel, strands of grass shot up from the pores. The coat of paint on the walls nearer to the ground had turned to flakes, revealing cracks that resembled the boundaries on a map, some part of it, fallen off. Spirogyra fried by the sun coated the walls, too. They passed an overhead water tank, inhaling the rust on the metal architecture that supported the tank, their feet making crunching sounds against the gravel.
They were now at the backyard.
He produced a key and inserted into a lock to a door that was hidden in dried vines. It opened into a void. Blankness. They couldn’t see anything; just shafts of light from windows high up the walls of the interior that shaped into a hangar sort of. A sound was heard – the click of a light switch – and the space was flooded with fluorescent lights. She said nothing. She just stood and took in the sight.
On the night of that day, as she lay on the bed before slumber came to borrow her consciousness, her eyes were wet. There wasn’t much to know about her lover than she would know, but she knew he was the man God had sent to her.
‘I’m an artist. I paint, but I don’t like people knowing about it,’ he’d told her when they both stood at that door gazing into the plethora of easels and canvases and paintbrushes and colours and brightness.

It began drizzling in the early hours when Dami presented the new pair of trainers to her to try on. It was a bit funny to her, but she did.
‘I want us to jog today,’ he said.
‘Today? It’s raining, my pregnancy . . .’ she said.
‘You’ve never jogged in the rain before. It’s sweet. You’ll see.’
So, she went out with him, that morning, in the rain, initiated into his ritual. It was sweet as he had said. Tiny droplets of rain fell softly against her skin. The cold weather was kind, mildly so. They held each other’s hands as their trainers touched the earth and leapt making wet-soil noises. She felt the blood warm in her body even as her heart pulsed. And since that day, mornings when it rained inspired a feeling in her: Something transcendent.

ABOUT THE AUTHOR

Carl Terver, b. July ’91, loves to listen to Bob Marley’s ‘Who The Cap Fits’, is a Nigerian writer and poet who have been published in Brittle Paper, Praxis magazine, Expound, and The Kalahari Review, and forthcoming in The Offing. He is working on a book of poetry criticism, Dead Images Don’t Walk. He is a comma disciple and fan of Adam Gopnik. His forthcoming poetry chapbook is For Girl at Rubicon. He is an in-house writer and the assistant digital Editor at Praxis magazine.

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